Saul David Quotes
Historians turning their hands to fiction are all the rage. Since Alison Weir led the way in 2006, an ever-growing number of established non-fiction writers - Giles Milton, Simon Sebag Montefiore, Harry Sidebottom, Patrick Bishop, Ian Mortimer and myself included - have written historical novels.
Quotes to Explore
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I've been a novelist since 1995 and have had novels in and out of option, and watching that process just made me realize that I have to live by what I teach my students, because I teach screenwriting at Spellman.
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So many Indian novels, quite unfairly, do not get the prominence they should because they have been written in a language other than English.
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Fiction reveals truth that reality obscures.
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What I hate in fiction is when the author knows better than the characters what they should do.
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I also read modern novels - I have just had to read 60 as I am one of the judges for the Orange Fiction Prize.
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I tend to resist invitations to interpret my own fiction.
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Writers of historical fiction are not under the same obligation as historians to find evidence for the statements they make. For us it is sufficient if what we say can't be disproved or shown to be false.
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A man's face is his autobiography. A woman's face is her work of fiction.
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I love science fiction.
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Right from the very beginning, I knew I wanted to write palpably Scottish fiction.
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'The Wire' really drew on a lot of real-life situations and real-life organizations - it created fiction to make a social statement about reality.
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There is no longer any such thing as fiction or nonfiction; there's only narrative.
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That's why I love crime novels so much: When I write a crime novel, the conflict is built in.
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Hollywood wants to go for the flash, because that's what a lot of them think science fiction is.
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I love mystery novels... I love seeing the dramas played out in academic departments, particularly English departments. I started reading these when I was going up for tenure.
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If utopian fiction became the new trend, I wouldn't read it.
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If there were a better, clearer, shorter way of saying what the fiction says, then why not scrap the fiction?
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I don't think Pulp Fiction is hard to watch at all.
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Fiction, with its preference for what is small and might elsewhere seem irrelevant; its facility for smuggling us into another skin and allowing us to live a new life there; its painstaking devotion to what without it might go unnoticed and unseen; its respect for contingency, and the unlikely and odd; its willingness to expose itself to moments of low, almost animal being and make them nobly illuminating, can deliver truths we might not otherwise stumble on.
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The strength of even the strongest individual can always be overpowered by the many, who often will combine for no other purpose than to ruin strength precisely because of its peculiar independence.
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Lionel Essrog, the twitching, barking, gabbling narrator of Jonathan Lethem's new novel, 'Motherless Brooklyn,' is no movie-of-the-week novelty grafted onto a noir mystery. Maybe his Tourette's is a gimmick, but it's a gimmick with depth, with soul.
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The way to get killed around machinery was to take things for granted.
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Historians turning their hands to fiction are all the rage. Since Alison Weir led the way in 2006, an ever-growing number of established non-fiction writers - Giles Milton, Simon Sebag Montefiore, Harry Sidebottom, Patrick Bishop, Ian Mortimer and myself included - have written historical novels.
