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We have a philosophy of we'll keep putting it up until people get it. We did that actually these last three weeks with Cracked Out from New York. People didn't really understand them. We put them up three weeks ago and they just got stared at.
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I find I've always been judgmental about comedy (laughs) and it's hard to turn that off, really. But what constant exposure to live comedy does is it makes you give people a second chance.
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I always viewed the podcast and the TV show as two separate things.
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Оf course you can only write comedy when you're smoking weed.
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I probably could be a world-class screenwriter by now if I had spent the kind of work I devote on Comedy Death-Ray to that. But I do okay, in that regard. I mean, my stuff gets bought, so it's all right.
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I probably felt some sense of relief, because when you're on this continuous production cycle and you're doing a show for a network where they expect you to come back every May or every June, you just don't get time to sort of recharge.
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Endings of television shows are sometimes such depressing things. It's like you're not going to hang out with these people anymore, and that's bad enough.
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Things go away and projects crumble and disappear, or you make your movie and it comes out and no one watches it.
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The show became popular as aspecialthing became popular. And Sasquatch, the guy who runs that site, started coming to every show and reviewing it. And when people start talking about the reviews from the stage. That to me is really self indulgent and we tried to put a caper on that.
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The podcast was kind of an afterthought, because I was just excited about being on the radio. Then I found that the podcast listenership is some 20 times what people are listening to on the radio.
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But the great thing about shows now is since we've been doing (Comedy Death Ray), they have lightened up on their booking policies a bit more and are booking somebody who isn't famous and who hasn't been around ten years. It's great to see people who've done our show - the first big show they've ever done - now they can play around town.
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The key to being a singer - try to do it audibly.
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It really was a unique experience to me to have a television show, Comedy Bang! Bang!, that I really cared about so much, and to know that it was the end, and know that that was the ending of it. We had a wrap party, and we thanked everybody. You don't get that a lot, especially in comedy.
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I always tried to do cool things.
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Intimacy is really good. But then again, the first disk on the record is not intimate in the least. It's a really good CD.
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So much of comedy is feeling comfortable with the point of view coming at you. So I understand it. There's people who I find hilarious now, but the first couple of times I saw 'em, I was like "What is this? I don't get it at all."
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The best sketch shows are from a group of tight-knit people whove worked together for a really long time.
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It's really difficult to make things, and a lot of times you don't know you're at the end of something.
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Not everyone can be as successful a performer as myself, who gave 10 great performances the first time I ever did comedy, and then toiled in obscurity for years.
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Thank you for listening to Comedy Bang Bang! My name is Scott Aukerman and I will see you next week.
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That's one of the benefits of working with a smaller network like IFC. You're awarded more trust, but trust that I really earned.
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It's so hard to figure out how to end a TV show.
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When people look at the ratings and they're bad, I think people can get an idea of "Why would they even make the show?" And to a certain extent, original programming for any network is a loss leader to try to get you to keep the channel on your cable package.