Scott McCloud Quotes
Quotes to Explore
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I live a half mile from the San Andreas fault - a fact that bubbles up into my consciousness every time some other part of the world experiences an earthquake. I sometimes wonder whether this subterranean sense of impending disaster is at least partly responsible for Silicon Valley's feverish, get-it-done-yesterday work norms.
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I go where the material is, and I feel like I'm looking for really strong directors. That's the key ingredient. There are some directors I would move the sun and earth for, or stop the rotation of the planets, just to work with them.
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I often have said to people that there are really two cities in the country where the outlook is always forward-looking - there is never really a backward-looking tendency. My banking work has taken me out to Palo Alto, what is commonly called Silicon Valley. And you sense out there is always a forward-looking outlook. And New York City.
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Suits are looked at more now as a business thing which is kind of a shame. If you're not wearing it just for work, you should try and trick it up a bit.
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One of the first things I picked up when I was very, very young out of a record store was work from Peter Saville - the early things he used to do for Factory Records.
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My father always said I have a face for radio, and 'Cloverfield' was one of my finest pieces of work.
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My wife is a painter, musician, and fiber artist. We married in 1993, and as she worked, I found that my reading about art was helping me understand what she was doing, just as seeing her work gave me a language with which to speak of art.
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In America, people buy cars, and they put very little money down. They get a car, and they go to work. The work pays them a salary; the salary allows them to pay for the car over time. The car pays for itself.
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I've tried a few times to depart from what I know I can do, and I've failed. I've tried to work outside the studio, but it introduces too many variables that I can't control. I'm really quite narrow, you know.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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I have had the most wonderful time on 'EastEnders' and I will miss you all. The show has changed my life and I want you all to continue the good work, because I'll be at home watching you.
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When I first stepped into literature twenty-five years ago, I wanted to work on behalf of the oppressed, the working masses, and it seemed to me, mistakenly, that I would not find them among the Jews.
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We need a more strategic, coordinated, statewide plan that identifies high-demand jobs or industries with a projected under-supply and offer training to get these Oregonians to work.
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I can watch films and say how technically beautiful they are, but I'm not impressed by any technicality.
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I don't want to name any names, but I've worked on television shows where there's a guy writing for my generation who's, like, 60 - and it doesn't work.
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I've heard my work called 'bold' and 'graffiti-like,' but for me it is always instinctual. I start with a shape or a colour and go from there.
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War is society's dirty work, usually done by kids cleaning up failures perpetrated by adults.
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My son Gautham usually doesn't watch my films. But he watched 'Srimanthudu' in the theatre.
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I cried on my 18th birthday. I thought 17 was such a nice age. You're young enough to get away with things, but you're old enough, too.
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I would love to go to Greece.
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When I shoot I'll take my family with me - one movie a year and then the rest of the time at home.
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Two things I'm trying to work on are openness and flexibility.
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Learn from everyone. Follow no one. Watch for patterns. Work like hell.
