Scott Snyder Quotes
Quotes to Explore
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Anyone can wear any color. The question is about finding the right shade. There is a momentary trend to dark colors because when the financials are not that great, people go for black, navy and grey.
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I think I've played a lesbian about five times. The first one was with Helen Baxendale in a drama called 'The Investigator,' about the conditions lesbians had to live under in the army in Britain, which was based on a true story.
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Those differences are what color the performance, but in the movies you don't get a chance to rehearse.
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When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.
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I'd heard he was good, and what the hell sense does it make not to hire somebody because of their color?
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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Rag & bone images always reflect the authenticity of the brand. Their images have character and tell a story.
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I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.
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I worked in the story department for years on 'Cars' and 'Toy Story 3.'
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Diversity in the industry is very lacking, and equal opportunity comes very far and few between for people of color.
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I try to tell a story musically in a song.
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Personally, I can't see why it would be any less romantic to find a husband in a nice four-color catalogue than in the average downtown bar at happy hour.
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As cliched as it sounds, if you have an original voice and an original idea, then no matter what anybody says, you have to find a way to tell that story.
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Everybody has a Bill Murray story. He just punishes people for reasons they can't figure out.
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I tend to write about my anxieties - it's what I'm afraid will happen. And I write a story working it out.
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'Twilight' is a breathlessly addictive read with a love story that sucks people in.
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I walked around feeling, in a sense, that people of color, we began at the bottom of a slave ship. We were enslaved; we picked cotton. There was Honest Abe, who wore a top hat and was taller than anyone and who said, 'Enough is enough; slavery must end.' And then, black people could stand up again. But after that, we didn't catch up.
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I make pictures to tell a story, to tell lies, and to amuse.
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There's a real art to telling a story in two hours, and that will always be something that people are very, very interested in.
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Every story has a place where it deserves to be told.
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My people are in the world again. No sorrow will live in my heart as long as that joy - save one, and I thank you for that, too.
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In the Netherlands - where I come from - you actually never see a pig, which is really strange, because, in a population of 16 million people, we have 12 million pigs. And well, of course, the Dutch can't eat all these pigs. They eat about one-third, and the rest is exported to all kinds of countries in Europe and the rest of the world.
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Jordie Bellaire knows how to tell a story with color.
