Scott Snyder Quotes
Quotes to Explore
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Anyone can wear any color. The question is about finding the right shade. There is a momentary trend to dark colors because when the financials are not that great, people go for black, navy and grey.
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I think I've played a lesbian about five times. The first one was with Helen Baxendale in a drama called 'The Investigator,' about the conditions lesbians had to live under in the army in Britain, which was based on a true story.
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Those differences are what color the performance, but in the movies you don't get a chance to rehearse.
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When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.
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I'd heard he was good, and what the hell sense does it make not to hire somebody because of their color?
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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Rag & bone images always reflect the authenticity of the brand. Their images have character and tell a story.
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I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.
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I worked in the story department for years on 'Cars' and 'Toy Story 3.'
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Diversity in the industry is very lacking, and equal opportunity comes very far and few between for people of color.
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I try to tell a story musically in a song.
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Personally, I can't see why it would be any less romantic to find a husband in a nice four-color catalogue than in the average downtown bar at happy hour.
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As cliched as it sounds, if you have an original voice and an original idea, then no matter what anybody says, you have to find a way to tell that story.
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Everybody has a Bill Murray story. He just punishes people for reasons they can't figure out.
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I tend to write about my anxieties - it's what I'm afraid will happen. And I write a story working it out.
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'Twilight' is a breathlessly addictive read with a love story that sucks people in.
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I walked around feeling, in a sense, that people of color, we began at the bottom of a slave ship. We were enslaved; we picked cotton. There was Honest Abe, who wore a top hat and was taller than anyone and who said, 'Enough is enough; slavery must end.' And then, black people could stand up again. But after that, we didn't catch up.
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I make pictures to tell a story, to tell lies, and to amuse.
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Anyone who assumes that this country is standing still is not a good American, or rather, he is an apathetic and dead one and makes no contribution to the society.
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Howard and Shirley were clothed, always, in an invisible layer of decorum that they never laid aside.
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His capital is continually going from him in one shape, and returning to him in another, and it is only by means of such circulation, or successive exchanges, that it can yield him any profit. Such capitals, therefore, may very properly be called circulating capitals.
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Sometimes I'm asked if I do research for my stories. The answer is yes and no. No, in the sense that I seldom plow through books at the library to gather material. Yes, in the sense that the first fifteen years of my life turned out to be one big research project.
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Jordie Bellaire knows how to tell a story with color.
