Nancy Kress Quotes
For the professional writer, stories must be presented as a series of individual scenes, each one dramatized with dialogue and telling descriptions of who is present and what they're all doing.
Quotes to Explore
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Immortality is really desirable, I guess. In terms of images, anyway.
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Yanukovych has changed everything in Ukrainian jails - real criminals have been released, while representatives of the middle class and politically rebellious free-minded people have filled the prisons.
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I don't carry myself as a black person but as a woman that belongs to everybody. After all, it's the general public that made me - not any one particular group. So I don't think of myself as belonging to any particular group and never have.
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I dread shooting with animals. I hope I never get a script with snakes.
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As long as you live keep smiling because it brightens everybody's day.
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I want to sound like an instrument. I want my voice and my words to marry the beat. I go with the rhythm of it and the words start to come to my mind and those words could be based on things that's been on my mind for the past year, the past month, the past week, whatever; I write it.
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One of the fine moments in 1940s film is no longer than a blink: Bogart, as he crosses the street from one bookstore to another, looks up at a sign.
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I actually signed on to do 'On the Road' before we started on 'Tron,' but we were in flux for a while, just sort of playing the waiting game, trying to get the right budget and the right cast.
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We're going to lose more species, acidify the oceans more, do damage that it will take millions of years - if not longer - to unwind. Exactly how much damage will we do? How deep will those scars run? We don't know yet. But we will turn the ship.
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I am not in the business of suppressing books.
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I know I'm good enough. I don't need to show it to you. Either you know who I am, or you don't.
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'Pulp Fiction' was probably one of the first films I ever saw that really kind of took effect on me. I was about four years old – obviously wasn't supposed to be seeing that film; my sister kind of sneaked it out and we got to see it. She's older than me. That was something I always used to watch.
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The story of Harold Fry and his unlikely pilgrimage began as an afternoon play for radio. For many years, I have been writing plays and adapting novels for 'Woman's Hour' and the 'Classic' series. So this was originally a three-hander play, broadcast one sunny afternoon on BBC Radio 4.
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To play something which is a big spectrum is so much more fun, so much more of a challenge.
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Eros will have naked bodies; Friendship naked personalities.
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I don't think I'm a follower, frankly.
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If there is the right opportunity for us to have a big oil play in Congo or somewhere else, we will definitely go for it.
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Unless you work for '60 Minutes', your life is: You do stories about things, and nothing happens as a result.
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There is no facet of my professional life that doesn't require or request improvisation.
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I am proud of my kids and happy to brag about their achievements. Their success has been an immense source of happiness for me.
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In Rio Bravo when Duke makes love to Feathers, the scene dissolves to the next morning where we see him putting on his vest and almost humming. It was subtle, but you knew what happened. Give me a towel and some blankets any day!
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There are an infinite number of boring things to do in science.
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I was writing a book about sustainable energy, and a friend asked me, 'Well, how much energy do you use at home?' And I was embarrassed. I didn't actually know.
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For the professional writer, stories must be presented as a series of individual scenes, each one dramatized with dialogue and telling descriptions of who is present and what they're all doing.
