Sergio Leone Quotes
I never worry about what they think about me. Because I feel so far away from what my Italian colleagues have done that I almost automatically become an isolated director.
Quotes to Explore
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One works in one's laboratory - one's chaotic laboratory - with students and colleagues, doing what one most wants to do - then all this happens! It is overwhelming.
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In the past, two colleagues died each season. It was generally accepted this could happen.
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In 1986, Microsoft and Oracle went public within a day of each other, and I recall telling one of my colleagues that the software business will become big. So I started working with software companies in the mid-'80s and never turned back.
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At this point of my life, I'm 32 and I feel sexier than ever because you know what you want.
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I don't weigh myself - it's all about how I feel in my clothes.
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I really feel free and not as serious as I have been in the past.
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I feel that if I said anything about John, I would have to sit here for five days and say it all. Or I don't want to say anything.
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To actually feel like you've done something good with your life and you're useful to others is what I was always wanting, and was always looking for.
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I can already feel myself getting fed up with boys and I haven't had anything to do with them yet" - Georgia Nicolson
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Unsuccessful people get up whenever they feel like it and the first thing they do is watch television, read the paper, or check email. The rest of the day is pretty much 50% below maximum performance.
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If there is one thing that, as a director, you don't want to be a part of, it's a group. It's the same thing with music. I don't want to be a part of a scene. Just leave me alone. It's just my nature, and it's nothing against the people that are in that group, but I just like to be left alone.
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I feel like I haven't done anything. What have I done? I've just made a few records.
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I feel an indescribable ecstasy and delirium in melting, as it were, into the system of being, in identifying myself with the whole of nature.
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I'm kind of putting my toe back in the water and seeing how it feels. We're going to be doing stuff we haven't done for years and years and years. So I'm looking forward to seeing how this stuff flies.
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Most of the films are only 60% taken, rest is a director's input.
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I'm really, really happy with what I do for a living. I mean, that's what I consider work, like being on set, bringing a character to life and, you know, working with other actors and directors and stuff.
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I don't apply [being a role model] to the choices I make. I feel like a role model is not necessarily someone you want to imitate, just someone you admire.
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I feel like a drunken man who doesn't have a drink.
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Even on my films, I always collaborate with the actors. That's a given. I think you need that. You need the actors to feel as much ownership of the performance and the direction of the story as you do, to get the most out of everyone's potential.
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You can speak your mind But not on my time.
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No bit of the natural world is more valuable or more vulnerable than the tree bit. Nothing is more like ourselves, standing upright, caught between heaven and earth, frail at the extremities, yet strong at the central trunk, and nothing is closer to us at the beginning and at the end, providing the timber boards that frame both the cradle and the coffin.
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I never worry about what they think about me. Because I feel so far away from what my Italian colleagues have done that I almost automatically become an isolated director.
