Sergio Leone Quotes
I think, to go to the bottom of it all, that the films I have made and my kind of film-making is a hybrid type of film-making - in that it isn't American, it isn't Italian.
Quotes to Explore
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I have fun going on Twitter and the Internet. I feel safe and comfortable, and I wish everyone could feel that way.
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I think I would like to see more roles for South Asian performers that are more inclusive and part of the American Diaspora, the American tapestry, perhaps the way that African American and Hispanic roles have developed.
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The fact we don't have a lunar base has nothing to do with the technology. It has to do with public commitment and societal support.
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I don't believe in strong-arming people.
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The taps with the bat on the spikes are one for my grandmother, one for my grandfather, one for my little sister. Then the one on the helmet is showing faith in God that I can do it.
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Right now I'm doing four shows at a time, trying to read four outlines every week, four scripts every week, and watching four rough cuts; it's a lot of good work. It's fun to do it, but it does wear you out.
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There are parts of me that I feel are beautiful, but they don't have anything to do with my nose.
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I'm so freaking competitive it's unbelievable.
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I remember when 'The Right Stuff' opened in Hollywood. I got dressed that morning and drove my car down to the theatre that it was playing on, thinking that there would be mobs of people outside. When I looked, there was nobody there.
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I remember having my father stand over me when I had driven over my own foot; one leg was out of the car and one leg was in the car. He looked at me and told me that I was a drunk and that he was ashamed to call me his son. That night, I stopped drinking and I never drank again; I was twenty four.
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People like to hear me say, 'You love me, Chandler Bing. You just don't know you love me.'
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A true champion can adapt to anything.
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The fleet sailed to its war base in the North Sea, headed not so much for some rendezvous with glory as for rendezvous with discretion.
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It wasn't until I was an adult reader that I began to fathom the influence of fairy tales on writers I was in love with over the years, from Louisa May Alcott to Bernard Malamud to John Cheever to Anne Frank to Joy Williams.
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There is something in the way that we are now, with our cell phones, and people are not looking at each other and not being in the moment with each other, that kids feel isolated.
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Movies are my religion and God is my patron. I'm lucky enough to be in the position where I don't make movies to pay for my pool. When I make a movie, I want it to be everything to me; like I would die for it.
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I've been a video game guy since I was eight years old and got my first Nintendo. I've been addicted to video games ever since.
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I don't want to be known as the granddaughter of the Hiltons. I want to be known as Paris.
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The poet does not fear death, not because he believes in the fantasy of heroes, but because death constantly visits his thoughts and is thus an image of a serene dialogue.
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When I got out of high school, I was working in restaurants in New York City, when I heard Bill Anderson from The Neighborhood Playhouse was doing private lessons. I started taking classes, and it was a lot of improv and Meisner and repetition.
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The individual - stupendous and beautiful paradox - is at once infinitesimal dust and the cause of all things.
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Whatever is not nailed down is mine. What I can pry loose is not nailed down.
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Obviously, after every film you do, you wonder what you're going to do next.
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I think, to go to the bottom of it all, that the films I have made and my kind of film-making is a hybrid type of film-making - in that it isn't American, it isn't Italian.
