Sharmeen Obaid-Chinoy Quotes
I became a documentary filmmaker because I wanted to make socially conscious films. I never studied filmmaking - everything I have learned has been on the field.
Quotes to Explore
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I started modelling when I was 13, so I learned a lot of things. I actually love doing make-up on other people, too.
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Semiotics is a general theory of all existing languages... all forms of communication - visual, tactile, and so on... There is general semiotics, which is a philosophical approach to this field, and then there are many specific semiotics.
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One thing I've learned is that I'm not the owner of my talent; I'm the manager of it.
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I realized I have an appetite for stunts. I learned how to do them myself.
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I learned mainly through television, but I learned how to do mosaic, where you can buy stones or things of that nature. But also where you bust the tile to decorate pots for flowers or table tops. Lots of different things. Wherever you want it, you can mosaic just about anything. It took me about two weeks to do a big birdbath.
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The brain isn't like the heart. They learned how to transplant a heart. The brain is more complex.
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As a child, the paddy field was my playground.
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All I can say is that I am not one of those writers who want 100% of their book in the film. I recognize that film is a different medium and the filmmaker must have the right to bring some new elements to the table, provided the soul of the book is preserved.
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I have learned that acting is not about beauty.
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I've learned not to be as maniacal as I used to be.
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Agribusiness could provide an opportunity for joint Israeli-Palestinian projects, spurred on by Israeli technical expertise in this field.
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I did a movie where my character was obsessed with Bruce Lee, so I learned everything about Bruce Lee, read everything, watched his movies.
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I grew up riding when I was younger in Texas. I actually learned how to ride in Norway. I really love riding horses.
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I've totally learned in this process that 99% of the time, your gut is right, and you know what's right for you. I know exactly what's right for my career and for my art, and sometimes, even if the whole room is saying, 'Don't do that, don't do that,' you know that doing that is going to be good for you, in the long run.
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I just didn’t want to be pigeonholed as an 'ethnic comic' or an 'Asian comic.' I just wanted to be on the same playing field as everyone else.
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The I is always in the field of the Other.
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It is not what we read, but what we remember, that makes us learned. It is not what we intend, but what we do that makes us useful. It is not a few faint wishes, but a life long struggle, that makes us valiant.
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We've learned a great deal. And that's why you fly a test flight, so you can learn.
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I grew up in this town, my poetry was born between the hill and the river, it took its voice from the rain, and like the timber, it steeped itself in the forests.
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I know I'm known for singing some of those high notes, but that's really not what giving someone goosebumps is all about. It's about really trying to find what makes you unique.
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In centenarians and supercentenarians - people over 110 - you see a higher level of fecundity much later in life.
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I became a documentary filmmaker because I wanted to make socially conscious films. I never studied filmmaking - everything I have learned has been on the field.
