Sigmund Freud Quotes
I cannot face with comfort the idea of life without work; work and the free play of the imagination are for me the same thing, I take no pleasure in anything else.
Quotes to Explore
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That's the joy of getting to be an actor - getting to play all kinds of different roles and showing so many different sides of yourself.
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I was taught to play that way when I was in high school and even before I got to high school.
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You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
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I like something where I can really use my imagination and be an active participant in the construction of the monster and usually that's in the world of the supernatural or the world of the fantastic, so that's why those kinds of stories about demons and the supernatural appeal to me or maybe I'm really interested in that subject.
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One of the virtues of being very young is that you don't let the facts get in the way of your imagination.
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I wonder if I maybe have a natural floatiness that comes through in everyone I play.
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It's definitely weird, because pretty much everybody owns the Tony Hawk videogame. Just going over to people's houses and watching play me as I walk in – that's actually happened a few times and that's so weird. It's like, 'Dude, you're playing me right now.' It was too weird.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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They who dream by day are cognizant of many things which escape those who dream only by night.
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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Every view, and every object I studied attentively, by viewing them again and again on every side, for I was anxious to make a lasting impression of it on my imagination.
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In 'Rangoon', I play an action star of the 1940s.
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Reality is how we interpret it. Imagination and volition play a part in that interpretation. Which means that all reality is to some extent a fiction.
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My drummer, bass player, and guitar player sing backgrounds. They play and sing. I can sing all the harmonies, but I can't do it alone.
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Some days I wouldn't even go to class. I'd sit in the room and play video games with my friends and eat powdered mashed potatoes.
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I grew up playing about 15 instruments and the way that I was able to accomplish that was by cutting my classes, hanging out in the band room all day, and going from one instrument to the next to the next, until I learned how to play everything by ear.
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Technology, like art, is a soaring exercise of the human imagination.
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That was not the way I wanted to come out and play. It was disappointing, especially the way the offense played this season. We couldn't hit any big plays or establish anything to build on. They did a good job, but I still didn't protect the ball, and that's what it comes down to in big games.
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I'm a really firm believer that anyone can get pretty good at anything if you just do it all the time and you just keep working at it.
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My stories deal with multicultural situations as well as multigenerational settings.
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So we don't need more top-down economics. We've tried that theory. We've seen what happens. We can't afford to go back to it.
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You are only as good as the coach thinks you are.
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I cannot face with comfort the idea of life without work; work and the free play of the imagination are for me the same thing, I take no pleasure in anything else.
