Sigourney Weaver (Susan Alexandra "Sigourney" Weaver) Quotes
I love working quickly. I don't like to do thousands of takes, and I don't want to do thousands of set ups.
Quotes to Explore
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I didn't know I wanted to act until it was around 21. I had just come back to Los Angeles after two and half years of traveling and working as a dancer and singer and was looking for a new performing art to study. I started taking acting classes and fell in love.
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My mom started working at the California Shakespeare Theater in Oakland when I was two years old, so I've always grown up around theater.
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I love working in America, I love being part of the industry out here.
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I made a big family when I was working at 'Vogue' for ten years, and I'm still friends with a lot of them.
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I like to be left alone when I'm not working.
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I can't imagine working without and audience.
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It's about working when nobody's watching.
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My first novel was a challenge to myself. No one had an inkling that I was working on it.
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Pops played football for LSU. Ever since I can remember, I've been working with him running routes and stuff.
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I was working for the CIA and prohibited from speaking publicly.
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I prefer working in good cinema, wherever it is. I like subjects that have a universal appeal.
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I've always been comfortable working with women and I've had two happy marriages. Draw what conclusions you like from that.
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I was a big fan of Super Troopers, so working with the Broken Lizard guys was so much fun.
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The bottom line is: We must be working on arriving at the destination for which we were put on this planet.
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When you're working well, you don't do research. Whatever you need comes to you.
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I love working closely with people.
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I love working with a lot of different films and a lot of different people.
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I never drink while I'm working, but after a few glasses I get ideas that would never have occurred to me dead sober.
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The entire time I was following the feelings experienced by children, so the feeling of not understanding what adults say was very important to put the audience in this frequency to understand the world through his eyes.
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Prior to Saving Private Ryan I never worked with men. I was always working with some babe, and it was always about falling in love, and it just got turned around. I'm not looking for any particular kind of story. I wait until it comes across my desk.
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Some drivers might be twisting their nose or don't like the idea. The way I see it, it's good for everybody.
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Perhaps cliche is nothing more than the weight of the past pinning down your mind. In this sense, imaginative freedom is a way of finding the future, though it isn't so easy to do.
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I love working quickly. I don't like to do thousands of takes, and I don't want to do thousands of set ups.
