Sigrid Nunez Quotes
Quotes to Explore
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In general, writers shouldn't be killed for what they write, though I can think of exceptions.
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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I really tend to write in retrospect.
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It takes some courage to write fiction about politically controversial topics. The dread is you'll be labeled a political writer.
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I don't write the books. God writes the books and delivers the speeches.
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Every story I create, creates me. I write to create myself.
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Before I liked to write, I liked to type. I remember visiting my grandmother Adele in Ponce Inlet, Florida, when I was three years old, and she had an IBM electric typewriter.
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I really don't have anything urgent to say, and I think you shouldn't write unless you have something urgent to say. Sometimes that troubles me, and sometimes I don't really care.
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I just write mechanical things.
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My grandmother died in childbirth, and my great-aunt lived with us. She had bound feet. She never knew how to read or write.
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If I had to rank my skills, I have a long way to go before I can write a good graphic novel.
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Instead of writing songs for girls, I tend to write albums, which I guess is a bit weird.
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My method is, I just sit down and write a book.
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'The One-Eyed Man' is a novel that was one I never intended to write.
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I don't write constantly; it's two serials and a novel a year.
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Yes, it's hard to write. But it's harder not to.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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I will always, forever, write songs, and wherever they're meant to be is where they'll be.
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Looking back, I see that I write books about brothers and sisters, about what makes up a family, what works and what is nurturing.
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I know one thing - very few writers in Southern California get to write what they want to write. We are more or less worker ants, working for either film companies or tv companies or Internet companies. We do a lot of assigned work. Feelings hardly ever enter into it. If they do, they tend to be on a sort of soap opera level.
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I realized that you have to deal with a lot of baggage when you write about your own era, that it's harder to separate what is actually compelling from what is interesting simply because it mattered to you at the time.
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After Vietnam and Watergate, and later the advent of twenty-four-hour cable news, journalism became noticeably more subjective and judgmental.18 Coverage was focused more on mediating what public people were saying than simply reporting it.
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You write a thing down because you're hoping to get a hold on it.
