Sofia Vergara Quotes
Quotes to Explore
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I told my father I wanted to play the banjo, and so he saved the money and got ready to give me a banjo for my next birthday, and between that time and my birthday, I lost interest in the banjo and was playing guitar.
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I never understood the realism of an imaginary circumstance. While I was doing 'Smoke Signals,' I relied on my instinct and what I grew up with. I had this energy, but it was a one-dimensional thing.
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Men move through a much different process before commitment than women do.
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You do not have to dramatize everything. In fact, you usually can't, not without ending up with a half-million-word novel.
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No ideas and the ability to express them - that's a journalist.
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Habits change into character.
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I grew up in a high school where it was very conservative, and I felt like people disapproved of me, and I felt like an outsider.
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I play some fighting games, but mostly I just play sports.
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I make the music my ears want to hear, I wear the clothes my body wants to wear and the ones boys call me back for, and I generally make the songs that my feet dance to.
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Posthumous reputations have little to do with real lives.
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When you're editing, you're putting it together in a way that makes sense metaphysically. You're not inventing it, but you're finding the story that's there. You're making a play that's eventually going to go on stage and present itself to an audience. You want to show what happened, not exactly what you have evidence of happening.
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It's quite difficult for a parent to know that their daughter is in great danger.
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I was actually deputy headboy at my school. And everyone around me was very supportive of what I wanted to do. There's no romantic story about how me and my brother got to where we are.
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Normally, in the presence of radiation, communication links fail. But with autonomous robots, you don't need communications.
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I aim for a lifetime full of movies.
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I'm very good about eating breakfast, lunch and dinner.
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'Orange Is the New Black' was by far the most watched show in both France and Germany and, in fact, all of the markets that we launched.
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For good or bad, there is a certain level of generalisation when it comes to my work. I want to break that perception. My decision to direct 'Bombay Talkies' or to present 'The Lunchbox' is an attempt to do that. These are the films that gel well with my sensibility, and it's unfortunate, it's not the perception out there.
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'Under the Poppy' is the love story of Istvan and Rupert, lovers and friends from childhood, who've been parted by jealousy - and a secret betrayal by Istvan's sister, Decca, who also loves Rupert, with whom she runs the brothel called Under the Poppy, where the floozies cater to every taste from saucy to peculiar.
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Every new invention is like a baby. You think it may cure cancer or become the president, but in the end, you're happy it just stays out of jail.
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I understand and respect deeply that each project brings its own secret and wonderful gifts and happy accidents.
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People ask me how it happens that my children are all so promptly obedient and so happy. As if it chanced that some parents have such children or chanced that some have not! I am afraid it is only too true, as someone has remarked, that "this is the age of obedient parents!" What then will be the future of their children? How can they yield to God who have never been taught to yield to human authority? And how well fitted will they be to rule their own households who have never learned to rule themselves?
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At the end of the day, everyone wants to feel loved, appreciated and respected.
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I’m happy with what I’ve achieved.