Nicole Appleton (Nicole Marie Appleton) Quotes
My nickname is The Fonz. My sister Lori nicknamed me it when I was younger and it stuck.
Quotes to Explore
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I was taught from a very early age that I had to work twice as hard to get half as much. That was the world I grew up in - a very strong work ethic.
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When I was about four, people used to walk up to my mom and say I should be in commercials.
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We have the ability to be able, if we have the right resources around us, to really do chop and change and have fun in our time and not just be stuck in one world or the other.
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I think I was given a gift to play golf and to be mentally strong.
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I am blessed to have worked in big-budget films at an early stage of my career.
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All that we know is nothing, we are merely crammed wastepaper baskets, unless we are in touch with that which laughs at all our knowing.
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I have never sought the reason why I write.
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When I arrived to study at Oxford in October 1963, the bohemian style was black plastic or leather jackets for women and black leather or navy donkey jackets for men. I stuck to cavalry twills and a duffle coat, at least for a few months.
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I'm still learning my craft, and I've been writing since I was nine.
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The extent of your consciousness is limited only by your ability to love and to embrace with your love the space around you, and all it contains.
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My life is quite physical anyway. When you are three-foot-six you kind of have to climb stuff now and again, and you find yourself in quite precarious situations just to manage in what is quite a big world.
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When it comes to investing, you are your own worst enemy.
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I think technology really increased human ability. But technology cannot produce compassion.
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I went up for the first time when I was 18. It's a great place - I love L.A.; I mean, in Ireland it just rains all the time, it's crap weather, so it's nice to go to L.A. where it's just sunshine every day, and then it's kinda easier to live a kinda healthy lifestyle.
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If you're not a confident person, pretend to be one.
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But I think it's more that when you're young, you're invincible, you're immortal - or at least you think you are. The possibilities are limitless, you're inventing the future. Then you get older and suddenly you have a history. It's fixed. You can't change anything. I find that a bit disturbing, to be honest.
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There is one kind of robber whom the law does not strike at, and who steals what is most precious to men: time.
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When we train a horse to do a certain job, we're training the horse to be like a soldier, and yes, he still has a spirit, and he still has his ideas, but he is a disciplined soldier, and in the end, he will follow the rider's instruction to do what needs to be done.
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Having a day job again I found really kind of fueled my fiction, because it became almost this forbidden thing where I had to sneak off and do it in private.
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I don't particularly like attention. I like to do things on my own. I like to dress myself. People always ask that at shoots: 'Do you want any help?' That's the weirdest question.
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Being outside is a loose theme on 'Paracosm.' Acoustic-sounding instruments have that warmth to them that is really important to communicate. It was really important for me to tell a story – my favorite records have a narrative feel.
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Certainly a sort of industrial use of creatures, so that geese are fed in such a way as to produce as large a liver as possible, or hens live so packed together that they become just caricatures of birds, this degrading of living creatures to a commodity seems to me in fact to contradict the relationship of mutuality that comes across in the Bible.
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I've been drawing my whole life. My mom says my sister and I were drawing by age 1. Animation seems a real, natural extension of drawing as a way of telling a story visually.
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My nickname is The Fonz. My sister Lori nicknamed me it when I was younger and it stuck.
