Soren Kierkegaard Quotes
The individual, no matter how well-meaning he might be, no matter how much strength he might have, if only he would use it, does not have the passion to rip himself away from either the coils of Reflection or the seductive ambiguities of Reflection; nor do the surroundings and times have any events or passions, but rather provide a negative setting of a habit of reflection, which plays with some illusory project only to betray him in the end with a way out: it shows him that the most clever thing to do is nothing at all.
Quotes to Explore
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In America, people think being South Asian is still kind of exotic. When you go outside New York and Chicago and L.A., there are people who have never tried Indian food... they've never even tasted it!
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I think depression creates in me an urgent need to write, but I also believe that daily stress, and even the positive 'stress' of intense happiness, can compel me to express myself through the written word.
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My favorite film is probably the finale - 'Deathly Hallows: Part 2'.
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I've been lucky enough to have fulfilled so many ambitions, and gone way past anything I ever thought I would do. I could never have imagined the career that I've had with the Foo Fighters - playing stadiums and having songs on the radio. It's amazing, and my goal is really just to carry on playing.
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The whole period of the '60s changed a lot of us; there was never a decade like that in American history... to have the decade capture one of the great accomplishments of this century: man landing on the moon.
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When you're young and queer and closeted, you can end up in this place where you regard your straight peers as the enemy.
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I'm completely open about the fact that I don't love every genre of metal. I like what I like. It's got to have some vocal quality and some semblance of melody.
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I write novels and other things.
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I think I was a pretty normal student; I just followed most of my friends.
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The thing is, I've never been a handsome leading-man type, so let's not kid ourselves.
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I think several generations of my family had novels in the drawer. You know the montage in 'The Royal Tenenbaums' where each character has produced some sort of minor work? It was like having a magician in the household.
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I think a lot of people don't actually know me. They think, 'She's like this,' or, 'She's like that.' They say I have no emotions - I do, but you couldn't see them then. I had to keep them inside.
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I am always at a loss at how much to believe of my own stories.
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Digital has really made the fashion industry a lot more transparent. So people can see and understand how the industry really works, and participate in an industry that was very inaccessible to people. The only thing that people used to see before was the end product. Anyone can participate in it now.
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All men who have achieved great things have been great dreamers.
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I think most writers, in a sense, have this desire to disappear, to be absolutely anonymous, to be removed in some way: that comes out of the need to be a writer.
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Today we are engaged in a deadly global struggle for those who would intimidate, torture, and murder people for exercising the most basic freedoms. If we are to win this struggle and spread those freedoms, we must keep our own moral compass pointed in a true direction.
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You might sooner get lightning out of incense smoke than true action or passion out of your modern English religion.
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When I was asked to write an article about what it was like to work with my husband on a TV show, I assumed it was because people thought it would be titillating. He's a creator/writer/producer, I'm an actress; there must be lots of gossip, in-fighting, maybe some crazy-sexy time on the set, right? Actually, it's pretty tame.
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The individual, no matter how well-meaning he might be, no matter how much strength he might have, if only he would use it, does not have the passion to rip himself away from either the coils of Reflection or the seductive ambiguities of Reflection; nor do the surroundings and times have any events or passions, but rather provide a negative setting of a habit of reflection, which plays with some illusory project only to betray him in the end with a way out: it shows him that the most clever thing to do is nothing at all.
