Spider Robinson Quotes
She danced because she needed to. She needed to say things which could be said in no other way, and she needed to take her meaning and her living from the saying of them.

Quotes to Explore
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If you were my friend, I love you unconditionally. I like you the same way I like everyone else that's around me.
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The physical part of comedy is as hard as a lot of action movies. It scares me, but in a way that I like.
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In general, all cancers have been traditionally characterized by the way they appear under the microscope and the organs in which they arise.
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The way it works at Julliard is that you just perform with people who are in your own class.
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Before I was a cosplayer, I was a fan artist. I would draw my favorite characters and sell the pieces at art auctions. But once I discovered cosplay, it was like, 'I don't have to draw my favorite characters, I can become my favorite characters.'
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An album is a whole universe, and the recording studio is a three-dimensional kind of art space that I can fill with sound. Just as the album art and videos are ways of adding more dimensions to the words and music. I like to be involved in all of it because it's all of a piece.
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The early expression of my youth was filled with all the aspects of art.
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For me, art is not 'brooding.' It comes from someplace that is more fun and that has a kind of electricity to it.
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Even as a child, I found a way to survive.
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One's mind has a way of making itself up in the background, and it suddenly becomes clear what one means to do.
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All art is propaganda, and ever must be, despite the wailing of the purists. I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda.
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To make the bloody thing talk the way I do when I'm on a verbal roll, in my idioms and rhythms.
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I had a longing for ritual, something I could cling to, a routine to make me feel well and contented. I hoped that reading Bible commentaries and theological critiques would nudge me closer to some kind of absolute that I could hold up as a torch to light my way.
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It's different in Scotland. People who come to readings are more interested in literature as such, but the readership in general is really quite diverse. It's a cliche, but it's said that people who read my books don't read any other books, and you do get that element.
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I was brought up Catholic, and I felt the power of art from a very young age - seeing the brutality of all those images of flayed apostles and tortured saints was a pretty strong introduction.
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It so happens, in Malaysia, the people who are in a way not doing as well constitute the majority of the people - the Bumiputeras.
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In its essence, any art that relies on words makes use of their ability to eat away - of their corrosive function - just as etching depends on the corrosive power of nitric acid.
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Art itself cannot be taught, but craftsmanship can. Architects, painters, sculptors are all craftsmen in the original sense of the word. Thus it is a fundamental requirement of all artistic creativity that every student undergo a thorough training in the workshops of all branches of the crafts.
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Bad art is a great deal worse than no art at all.
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There must be right and wrong answers to questions of morality and values that potentially fall within the purview of science. On this view, some people and cultures will be right (to a greater or lesser degree), and some will be wrong, with respect to what they deem important in life.
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Maoris now own over half the commercial fishing industry in New Zealand.
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Climate alarmists believe in their own omnipotency, in knowing better than millions of rationally behaving men and women what is right or wrong, in the possibility to give adequate instructions to hundreds of millions of individuals and institutions and the resulting compliance or non-compliance of those who are supposed to follow these instructions.
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Recent studies have shown that our creativity is increased by 60% when we're walking. I encourage my workshop participants to write at their desks but think on their feet.
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She danced because she needed to. She needed to say things which could be said in no other way, and she needed to take her meaning and her living from the saying of them.