Stanley Kubrick Quotes
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The hardest thing in making a movie is to keep in the front of your consciousness your original response to the material. Because that's going to be the thing that will make the movie. And the loss of that will break the movie.
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If you really want to communicate something, even if it’s just an emotion or an attitude, let alone an idea, the least effective and least enjoyable way is directly. It only goes in about an inch. But if you can get people to the point where they have to think a moment what it is you’re getting at, and then discover it, the thrill of discovery goes right through the heart.
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The director's job is to know what emotional statement he wants a character to convey in his scene or his line, and to exercise taste and judgment in helping the actor give his best possible performance.
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If you can talk brilliantly about a problem, it can create the consoling illusion that it has been mastered.
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However vast the darkness, we must supply our own light.
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I'm happy - at times - making films. I'm certainly unhappy not making films.
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It's a passion when you're doing it for other people and you're doing it for the people around you making the film and the people who are going to see the film, and the giving. When you start thinking about you doing it for some sort of self-gain, then I think it becomes an obsession. It becomes a negative experience.
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Know what it is the emotional statement to convey, and use taste and judgement to help the actors give their best possible performance.
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The screen is a magic medium. It has such power that it can retain interest as it conveys emotions and moods that no other art form can hope to tackle.
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The essence of dramatic form is to let an idea come over people without it being plainly stated. When you say something directly, it's simply not as potent as it is when you allow people to discover it for themselves.
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I'm not saying we wouldn't get our hair mussed, Mr. President, but I do say not more than ten to twenty million dead depending upon the breaks.
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I'm not afraid of dying tomorrow, only of being killed.
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From the very beginning, all of my films have divided the critics. Some have thought them wonderful, and others have found very little good to say. But subsequent critical opinion has always resulted in a very remarkable shift to the favorable. In one instance, the same critic who originally rapped the film has several years later put it on an all-time best list. But of course, the lasting and ultimately most important reputation of a film is not based on reviews, but on what, if anything, people say about it over the years, and on how much affection for it they have.
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One does not have to make Frank Capra movies to like people.
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The world's religions, for all their parochialism, did supply a kind of consolation for this great ache. This shattering recognition of our mortality is at the root of far more mental illness than I suspect even psychiatrists are aware.
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No philosophy based on an incorrect view of the nature of man is likely to produce social good.
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Making movies you're not trying to capture reality, you're trying to capture a photograph of reality.
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Don't do anything. Just tolerate me and let me suffer, knowing how you feel.
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Man isn't a noble savage, he's an ignoble savage. He is irrational, brutal, weak, silly, unable to be objective about anything where his own interests are involved-that about sums it up. I'm interested in the brutal and violent nature of man because it's a true picture of him. And any attempt to create social institutions on a false view of the nature of man is probably doomed to failure.
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If you can talk brilliantly about a problem
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Everything has changed, but the process of telling a story has not changed. It's like cavemen sitting around the fire; somebody's going to tell the story. Somebody is drawing on the wall. You're communicating. You're trying to learn and teach at the same time. You're your own student and you're your own teacher, but the process is of the communicating.
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The reality of the final moment, just before shooting the scene, is so powerful that all previous analysis must yield before the impressions you receive under these circumstances, and unless you use this feedback to your positive advantage, unless you adjust to it, adapt to it and accept the sometimes terrifying weaknesses it can expose, you can never realize the most out of your film.
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The dead know only one thing, it is better to be alive
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It's impossible to tell you what I'm going to do except to say that I expect to make the best movie ever made.