Stanley Kubrick Quotes
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The great nations have always acted like gangsters, and the small nations like prostitutes.
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Here's to five miserable months on the wagon and the irreparable harm that it's caused me.
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However vast the darkness, we must supply our own light.
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It's a passion when you're doing it for other people and you're doing it for the people around you making the film and the people who are going to see the film, and the giving. When you start thinking about you doing it for some sort of self-gain, then I think it becomes an obsession. It becomes a negative experience.
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The director's job is to know what emotional statement he wants a character to convey in his scene or his line, and to exercise taste and judgment in helping the actor give his best possible performance.
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The very meaninglessness of life forces man to create his own meaning.
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The essence of dramatic form is to let an idea come over people without it being plainly stated. When you say something directly, it's simply not as potent as it is when you allow people to discover it for themselves.
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If you really want to communicate something, even if it’s just an emotion or an attitude, let alone an idea, the least effective and least enjoyable way is directly. It only goes in about an inch. But if you can get people to the point where they have to think a moment what it is you’re getting at, and then discover it, the thrill of discovery goes right through the heart.
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I'm not afraid of dying tomorrow, only of being killed.
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The reality of the final moment, just before shooting the scene, is so powerful that all previous analysis must yield before the impressions you receive under these circumstances, and unless you use this feedback to your positive advantage, unless you adjust to it, adapt to it and accept the sometimes terrifying weaknesses it can expose, you can never realize the most out of your film.
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From the very beginning, all of my films have divided the critics. Some have thought them wonderful, and others have found very little good to say. But subsequent critical opinion has always resulted in a very remarkable shift to the favorable. In one instance, the same critic who originally rapped the film has several years later put it on an all-time best list. But of course, the lasting and ultimately most important reputation of a film is not based on reviews, but on what, if anything, people say about it over the years, and on how much affection for it they have.
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I didn't want murder. It's all gone wrong.
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The hardest thing in making a movie is to keep in the front of your consciousness your original response to the material. Because that's going to be the thing that will make the movie. And the loss of that will break the movie.
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I do not always know what I want, but I do know what I don't want.
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Know what it is the emotional statement to convey, and use taste and judgement to help the actors give their best possible performance.
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Don't do anything. Just tolerate me and let me suffer, knowing how you feel.
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Man isn't a noble savage, he's an ignoble savage. He is irrational, brutal, weak, silly, unable to be objective about anything where his own interests are involved-that about sums it up. I'm interested in the brutal and violent nature of man because it's a true picture of him. And any attempt to create social institutions on a false view of the nature of man is probably doomed to failure.
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One does not have to make Frank Capra movies to like people.
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The world's religions, for all their parochialism, did supply a kind of consolation for this great ache. This shattering recognition of our mortality is at the root of far more mental illness than I suspect even psychiatrists are aware.
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You either connect or you don't connect. It's not the end of the world. It's a movie.
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The most terrifying fact about the universe is not that it is hostile but that it is indifferent, but if we can come to terms with this indifference, then our existence as a species can have genuine meaning. However vast the darkness, we must supply our own light.
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The dead know only one thing, it is better to be alive
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Making movies you're not trying to capture reality, you're trying to capture a photograph of reality.
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If you can talk brilliantly about a problem