Stephen Dillane (Stephen John Dillane) Quotes
The stage is such an investment, and it's so emotional that it's really hard to tell how that will go.
Quotes to Explore
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I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing.
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Oracle is my second job ever that did not involve waitressing. But I still have my waitress apron just in case this does not work out. It's just that I fell in love with software when I was programming in college. When I was an investment banker, there were mostly mainframe companies and very few software ones.
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I could not separate myself off stage from myself on stage, as so many actors can.
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The laws and the stage, both are a form of exhibitionism.
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I'm exchanging molecules every 30 days with the natural world and in a spiritual sense I know I am a part of it and take my photographs from that emotional feeling within me, rather than from an emotional distance as a spectator.
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I don't take investment advice from wealth managers. I have grown several businesses from scratch and amassed many millions from my publishing empire - why would I take advice from someone who has never experienced that?
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Cinema is about people, and we are a very emotional people. That is why you see those ups and those downs and those colours. That is what Indian cinema is about.
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'Winner' is a commercial family entertainer with a strong emotional core. Teju couldn't hold back his tears after watching the movie. The horse race portions were mostly shot in Turkey.
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What is that song that Willie Nelson sang? 'Oh, the days dwindle down to a precious few.' I think of that. No big deal. I've reached a stage in my life where I am content.
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Shakespeare is the true multicultural author. He exists in all languages. He is put on the stage everywhere. Everyone feels that they are represented by him on the stage.
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Human beings are largely motivated by their emotional repertoire, manifested through their need for attachment, physical security, a sense of belonging and a positive personal and collective identity.
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Pressure is an emotional paralysis. It's hard enough to do the dishes when you're feeling pressured, let alone make a movie.
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It's like my parents' musical tastes are the mother and father of my music. It's their fault for making me so emotional and in tune with my emotions!
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I think plot is very overrated. Plot is obviously necessary, but what I really care about is emotionally affecting the audience. Having a thought myself and then an emotional experience myself, somehow transferring that to the audience.
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When I first started writing, I wrote really sad, emotional songs which were all slow.
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It's ingrained in people's minds that it's a typecast and a stereotype that women are just emotional and crazy.
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When the music and the characters are flawlessly synchronized, the opera develops an emotional force that movies and plays cannot match.
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There have been times when I've felt inappropriately emotional. I remember making 'The Most Hated Family in America' about the Westboro Baptist Church, and being on the way to a funeral of a U.S. soldier with the Phelps family; they were going to picket the funeral.
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I have an unfortunate personality.
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I think when you're looking for people to interview, you want to make it fair and honest. You're not just bringing people on so you can beat them up or, you know, make fools out of them or something.
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Reading a script is usually as exciting as reading a boilerplate legal document, so when you read one that makes you feel as if you're seeing the movie, you know it's something different.
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I'm interested in people who have lived, who are searching and questioning.
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The stage is such an investment, and it's so emotional that it's really hard to tell how that will go.
