Fay Weldon Quotes
Quotes to Explore
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Read some good, heavy, serious books just for discipline: Take yourself in hand and master yourself.
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I used to sing in jazz clubs with a friend until she went another way.
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The only true measure of success is the ratio between what we might have done and what we might have been on the one hand, and the thing we have made and the things we have made of ourselves on the other.
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I know you can be up one minute and drop the next, so I'm trying to maintain a steady course so I can have some longevity.
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I was with the Jessie Bonstelle Stock Company in Detroit and Buffalo for three seasons - 10 performances and a new play every week. She was an amazing woman who did a great deal for me.
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Crises are part of life. Everybody has to face them, and it doesn't make any difference what the crisis is.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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I can't exactly say why there's not much protest music to speak off. And I know there are acts out there still putting a message in their music.
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I own a guitar, a piano, a bass.
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You don't actually have control of the position people want you to be in. If they say, 'You king of the blacks,' you're king of the blacks - whether you like it or not.
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It's great that people are interested in Mars.
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I can't touch Simon anymore.
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I don't talk in ifs.
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To be under occupation, to be under siege, is not a good inspiration for poetry.
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I was the family alien. Both my parents are quite creative, but I was... appalling... always putting on little shows. I was rather a shy child, not a natural performer, but there was a performative edge to everything I did.
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We grew up listening to music like that: we grew up on the snap music, grew up off the trap music, grew up on all the South sound.
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People don't know how to listen, and it's not their fault. In school, we learn how to read, we learn how to write - but nobody teaches you how to listen.
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'Frida' was a joy; this was delicious, I couldn't wait every day to get to the set, although I was exhausted, and have my leg get cut off or lose the baby or be in her shoes and get to play my hero and be able to go places emotionally. You know, we live for parts like this. This is a dream for an actor.
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Rock Hudson was not an educated man, but that very beautiful body of his was putty in my hands.
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Certainly, nothing would stop me coming home for Christmas, if I can. But I've worked a lot in theatre, and in theatre in New York, we work Christmas Day a lot of the time as well.
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Maid of Athens, ere we part, Give, oh give me back my heart!
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It all starts with a very solid, well-executed script, where the story is very clear and everybody is rowing in the same direction. That's always good; that's a constant.
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[My choice about scripts] is just a question of what I fall in love with. You have to use some kind of instinct meter about it. I think I'm getting closer to my instincts now. I don't think there needs to be a plan. I think there needs to be love. I think you need to love what you're doing and then the rest is anybody's guess.
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Go to work on an egg.
