Felicity Jones Quotes
When you're in the head of the character, you feel less self-conscious. If I was just being me, I would feel so exposed and be like, 'Why is there a huge camera in my face?' But, when you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.
Quotes to Explore
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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I was just finishing up 'Spotlight' in Toronto - I finished it on a Tuesday and started 'True Detective' on a Friday. So I was missing rehearsals, unfortunately, which I hate and why I never like to work back-to-back.
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When things happen - you ask yourself why today, why not tomorrow, why not yesterday? That's the most amazing thing about time.
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The physical part of comedy is as hard as a lot of action movies. It scares me, but in a way that I like.
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One of the things that's really, really present in 'Between the World and Me' is, I am in some ways outside of the African-American tradition.
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At 14, I'd have given my left arm to be a boy: I thought I was horrible and that no-one would ever find me attractive.
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I'm not normally the kind of person who holds on to grudges, I'm really not.
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I just love playing in major championships.
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I'm not cool at all. I'm the least cool person I know.
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Every true, eternal problem is an equally true, eternal fault; every answer an atonement, every realisation an improvement.
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Indians have very good engineering capabilities, and that is why, if an industry focuses on innovation, you will have a far greater chance of success, rather than the model which is based on just being a production machine.
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Competing in London would be a dream come true.
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India always inspires me.
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I think that's why often people in creative fields can feel so alone is because there's a constant third eye, that constant watcher.
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Character is the indelible mark that determines the only true value of all people and all their work.
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My grandma taught me how to hand-sew, so I'm always making things from hand-me-downs.
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When I race in Australia or Korea or Japan I know it will be a big change for me because Ferrari fans are worldwide.
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I can understand why some people might look at me and say, 'What's she got to be depressed about?' I get that a lot in Britain, where mental health issues seem to be a big taboo.
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True, a little learning is a dangerous thing, but it still beats total ignorance.
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It sounds corny to say, but the theater is sacred; something transcendent can occur, and when it does, everyone grows. It's a true communion.
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It is true that the grasping of truth is not possible without empirical basis. However, the deeper we penetrate and the more extensive and embracing our theories become the less empirical knowledge is needed to determine those theories.
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I became conflicted in my late teens.
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We live in an emotionally fragile culture. We are in touch with every hurt past, present, and perceived. We are the walking wounded, and we want everyone to know.
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When you're in the head of the character, you feel less self-conscious. If I was just being me, I would feel so exposed and be like, 'Why is there a huge camera in my face?' But, when you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.
