Felicity Jones Quotes
When you're in the head of the character, you feel less self-conscious. If I was just being me, I would feel so exposed and be like, 'Why is there a huge camera in my face?' But, when you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.
Quotes to Explore
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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I was just finishing up 'Spotlight' in Toronto - I finished it on a Tuesday and started 'True Detective' on a Friday. So I was missing rehearsals, unfortunately, which I hate and why I never like to work back-to-back.
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When things happen - you ask yourself why today, why not tomorrow, why not yesterday? That's the most amazing thing about time.
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The physical part of comedy is as hard as a lot of action movies. It scares me, but in a way that I like.
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One of the things that's really, really present in 'Between the World and Me' is, I am in some ways outside of the African-American tradition.
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At 14, I'd have given my left arm to be a boy: I thought I was horrible and that no-one would ever find me attractive.
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I'm not normally the kind of person who holds on to grudges, I'm really not.
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I just love playing in major championships.
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I'm not cool at all. I'm the least cool person I know.
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Every true, eternal problem is an equally true, eternal fault; every answer an atonement, every realisation an improvement.
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Indians have very good engineering capabilities, and that is why, if an industry focuses on innovation, you will have a far greater chance of success, rather than the model which is based on just being a production machine.
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Competing in London would be a dream come true.
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India always inspires me.
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I think that's why often people in creative fields can feel so alone is because there's a constant third eye, that constant watcher.
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Character is the indelible mark that determines the only true value of all people and all their work.
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My grandma taught me how to hand-sew, so I'm always making things from hand-me-downs.
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When I race in Australia or Korea or Japan I know it will be a big change for me because Ferrari fans are worldwide.
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I can understand why some people might look at me and say, 'What's she got to be depressed about?' I get that a lot in Britain, where mental health issues seem to be a big taboo.
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Color is my day-long obsession, joy and torment. To such an extent indeed that one day, finding myself at the deathbed of a woman who had been and still was very dear to me, I caught myself in the act of focusing on her temples and automatically analyzing the succession of appropriately graded colors which death was imposing on her motionless face.
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Many of us believed that Black Lives Matter would move this country to not only reckon with white racism but to usher in new laws and practices that would curb vigilantism and law enforcement violence. But, instead, white nationalism was nurtured and began to take root among the American people.
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Hoboken is a neat place.
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I dubbed for 'Nannaku Prematho' because in that film, I was doing a London-based character, and even if some mistake happens with pronunciation, people would excuse it.
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Vietnamese food has probably been saved from the mass market because most people never master the sauces and condiments that must be added to the food, at the table, for its glories to become apparent. It's too much trouble, and a lot of people don't like asking for help, especially if the interaction involves some linguistic awkwardness.
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When you're in the head of the character, you feel less self-conscious. If I was just being me, I would feel so exposed and be like, 'Why is there a huge camera in my face?' But, when you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.
