Felicity Jones Quotes
When you're in the head of the character, you feel less self-conscious. If I was just being me, I would feel so exposed and be like, 'Why is there a huge camera in my face?' But, when you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.
Quotes to Explore
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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I was just finishing up 'Spotlight' in Toronto - I finished it on a Tuesday and started 'True Detective' on a Friday. So I was missing rehearsals, unfortunately, which I hate and why I never like to work back-to-back.
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When things happen - you ask yourself why today, why not tomorrow, why not yesterday? That's the most amazing thing about time.
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The physical part of comedy is as hard as a lot of action movies. It scares me, but in a way that I like.
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One of the things that's really, really present in 'Between the World and Me' is, I am in some ways outside of the African-American tradition.
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At 14, I'd have given my left arm to be a boy: I thought I was horrible and that no-one would ever find me attractive.
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I just love playing in major championships.
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I'm not cool at all. I'm the least cool person I know.
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Every true, eternal problem is an equally true, eternal fault; every answer an atonement, every realisation an improvement.
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Indians have very good engineering capabilities, and that is why, if an industry focuses on innovation, you will have a far greater chance of success, rather than the model which is based on just being a production machine.
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India always inspires me.
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I think that's why often people in creative fields can feel so alone is because there's a constant third eye, that constant watcher.
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Character is the indelible mark that determines the only true value of all people and all their work.
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My grandma taught me how to hand-sew, so I'm always making things from hand-me-downs.
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When I race in Australia or Korea or Japan I know it will be a big change for me because Ferrari fans are worldwide.
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I can understand why some people might look at me and say, 'What's she got to be depressed about?' I get that a lot in Britain, where mental health issues seem to be a big taboo.
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I don't use Twitter. I'm a serious person.
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I mean, it's weird because people lately have been coming up to me and going, 'Oh, my God. '300' is huge.' I'm like, 'Really? It's not done yet!'
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Maybe baby I'll have you,Maybe baby you'll be true.Maybe baby I'll have you for me. (All for me)It's funny honey you don't care-a-are,You never listen to my prayer-a-yer,Maybe baby you will love me someday (someday).
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I was a little bit wary of playing Nicholas. In the script, which I think is true of the novel and the film, he's the only character not singing and dancing in a musical style. Playing someone who is the personification of good is a little difficult.
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There is something that always will be true about painting and sculpture - that in order to really get it, you have to show up. That is something that is both sad and kind of beautiful about it. It remains analog. It remains special and irreducible.
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The simple act of telling a woman's story from a woman's point of view is a revolutionary act: it never has been done before.
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I'm a big fan of money. I like it, I use it, I have a little. I keep it in a jar on top of my refrigerator. I'd like to put more in that jar. That's where you come in.
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When you're in the head of the character, you feel less self-conscious. If I was just being me, I would feel so exposed and be like, 'Why is there a huge camera in my face?' But, when you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.
