Felicity Jones Quotes
The luxury of radio is that you don't spend hours in make-up, and you can wear whatever you want. It's bizarre. You'll be saying lines, with various people around making sound effect noises.
Quotes to Explore
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I was in art school since I was five years old. I've always been to art school. Everything that's happened to me, nothing's been planned. I've never had a business plan. I just kind of fell into it, and I liked it, and I took a chance. I took a lot of chances in my life.
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We are seeing at the Republican National Committee a phenomenon that is worth noting this week; maybe today, maybe tomorrow, maybe Wednesday, we will have a million first time donors since the president took office.
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I'm not a power person. I like everyone to be on an equal footing.
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As the years go by, I've added a few pounds on, and I like it. I like it that I look a little softer.
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You've got to really be able to accept the rejection.
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Sometimes I wonder where I am from. I am either way ahead or I come from another world. I don't recognise this world.
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We can have a World War, I see absolutely no reason why we shouldn't have a World Party.
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Like great teams in sports and business endeavors, if there's a chemistry among the participants, and they truly enjoy fellowship together, everybody wants to be there, stay involved, and just have fun together.
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I always drive like a madman.
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It's very hard to put forth a film that's about love and the joy of love and for it not to be patronising and not make people nauseous or make them roll their eyes.
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Layering in different patterns will keep things from appearing too studied.
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I used to come up with these crazy jobs to try and provoke my parents but they said, 'You can be anything you want.' So I was like, 'I want to be a garbage man' and they were like 'That's OK, we'll still love you!'
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No sensible decision can be made any longer without taking into account not only the world as it is, but the world as it will be.
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I still write in long hand. I type like a chimpanzee.
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I used to wear miniskirts with my GB top, and sparkly sandals, and the boys would be like: 'Oh my gosh, this girl cannot be serious.'
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There are other writers who try for subtle and minimalists effects, but I don't travel in that tribe.
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In the hands of good writers, you have the opportunity to present both sides of an opinion equally and that you leave it to the audience to listen and then make up their own minds.
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I would really love to collaborate with Gwen Stefani and M.I.A.; artists that kind of make sense with me vocally. And in terms of style, I'm a very visual artist. I really love Pharell. I love people that really care about drums, and I like beat-heavy.
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When I was 13, I thought I was pretty hot stuff because I knew BASIC programming, self-taught on the family's Commodore 64. One of my crowning accomplishments was writing a silly little program that showed a crudely-drawn Space Shuttle lifting off in a cloud of pixelated smoke.
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It's all about the experience and having a good time and connecting with the fans.
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I look at the effect that an individual's fame has on their family, for example, and the limitations that places upon your life to an extent - of course, it brings marvelous things too, but it brings them mainly to the individual. The people around the famous person often pay a price without reaping many of the rewards.
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The stadium here in Munich is the best of the lot for me. It is absolutely fantastic, especially the way it lights up a different colour according to who is playing. It's superb.
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In most cases, people, even wicked people, are far more naive and simple-hearted than one generally assumes. And so are we.
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The luxury of radio is that you don't spend hours in make-up, and you can wear whatever you want. It's bizarre. You'll be saying lines, with various people around making sound effect noises.
