Stephen Malkmus Quotes
Quotes to Explore
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When I said I could beat Alexander Gustafsson in a standup fight, people laughed at me. They thought, 'No way.' But I believe in what I'm seeing every day.
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I always loved reading. Growing up, my favorite book was 'A Child's Garden of Verses,' by Robert Louis Stevenson.
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I would try and sing along with bands that I like but it sounded so atrocious that I couldn't.
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Perhaps the thing that makes humans truly unique on Earth is that we are never satisfied with our situation; maybe that is what's taken us so far.
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We underestimate our people. Given a challenge, most of our people will do it, especially the youngsters who take to technology like duck to water.
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Humility is a virtue all preach, none practice; and yet everybody is content to hear.
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How is it having more control if you have less money in your pocket as Martin Lewis Moneysaving expert says?
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Ten minutes spent in the presence of Christ every day, aye, two minutes, will make the whole day different.
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I'm still swimming.
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In farm country, the plover has only two real enemies: the gully and the drainage ditch. Perhaps we shall one day find that these are our enemies, too.
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I had to think long and hard about what it would imply, what it would mean. Would it mean any alterations of one's lifestyle? Or, more than that, the way that people regarded you? The way they reacted to you if you had a Sir in front of your name?
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‘Dear God,’ she prayed, ‘let me be something every minute of every hour of my life.’
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Technologies themselves, regardless of content, produce a hemispheric bias in the users.
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All events became omens; I lost the ability to take anything literally.
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I was very aggressive as a child. At primary school in London my attitude was 'If you don't do what I say, I'll knowk you out', and I was eventually expelled for fighting.
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My ears won't fool me. Even when I do a session on digital, we still warm it up somewhere in the process, in mastering or mixing, running the signal through some tubes somewhere.
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I'm used to the older-fashioned way of mixing: playing with three decks, always turning and twisting knobs manically.
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I grew up in a family where we weren't allowed to talk about beauty or to put any emphasis on physical appearance.
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I spent most of the '60s, when I was starting to try to write novels, living and working in Greece and Turkey. These are countries where the ancient past is interfused with the daily present, and I remember being struck with wonder at the constant sense of continuity and connection, the reminders that lie in wait for you at every turn.
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We always did our own mixing.
