Stephen Vincent Benet Quotes
You work hard, and you'll rise. But, if you've got any foolish notions, just knock them on the head and forget them.
Quotes to Explore
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I wish my school days could have dragged on a little longer, or that I could go back and do it later in life.
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The attitude and identity that we want to play with doesn't change.
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My life and my work are very interlocked. That's partly why I like to keep my private life private.
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I've always felt a bit hard done by in England – you know, I've won the Bisto three times in Ireland, but it has felt like nobody has even heard of me in my home country.
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Everyone thinks when they start writing that they can't do it. I was lucky. My sister Delia was the most important person in terms of encouraging me.
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I love sportswear in my own weird way. Fashion is such a personal journey for me. I'm much more of a girl that's a T-shirt, legging, layering kind of thing, and outerwear.
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I'm in a monogamous relationship and very happy.
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After I made my hit in 'Salome,' Universal sent me to New York so I could learn to be a proper movie star.
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I started 20 years without missing a race and ESPN started broadcasting on the air waves.
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Find fault with thyself rather than with others.
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It's interesting: in the late '80s, there was this really random mix of new wave, industrial, and these early house records. And a lot of it was coming out of Chicago because of Wax Trax! So I always visited Wax Trax Records.
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I think every business is definitely different. There are certain businesses where execution is everything.
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As professional soccer players, we take our bodies to the extreme. We're the people at the gym that look like we're breaking the machines. Pushing our bodies to the limits is what makes us so strong and capable and Olympians. It's not an easy thing to consistently do over and over again to your body.
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An aphorism ought to be entirely isolated from the surrounding world like a little work of art and complete in itself like a hedgehog.
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I think with every part you do, you become a better actor. I've learned from my experiences on that.
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I always liked No. 10 because I loved Zidane. He was my role model. I always wanted to play like him.
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I don't pretend to be a digital savant or even a digital apprentice.
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My brother Art was a doo-wopper. He had a group that sat out on a park bench in New Orleans and sang harmonies at night, and they'd go around and win all the talent shows and get all the girls, you know.
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It's important for a villain to be as threatening as possible, whether physically, mentally or emotionally... however you want to do it. If you can combine all three, well, that's the ultimate villain.
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I used to not like being called a 'woman architect': I'm an architect, not just a woman architect. Guys used to tap me on the head and say, 'You are okay for a girl.' But I see the incredible amount of need from other women for reassurance that it could be done, so I don't mind that at all.
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For me, the card catalog has been a companion all my working life. To leave it is like leaving the house one was brought up in.
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You work hard, and you'll rise. But, if you've got any foolish notions, just knock them on the head and forget them.
