Steve Martin Quotes
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I think communication is so firsbern.
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It eventually appeared to be me, cinematically. When I was writing it I was actually an author, you know, writing a book. ... But there certainly is a difference in energy between a younger man and an older man.
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How to make a million dollars: First, get a million dollars
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It [live performance] is just very difficult. Doing an hour, hour and a half of live standup is an endurance test. You almost have to do it every day to stay up on it.
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Communication has changed so rapidly in the last 20 years, it's almost impossible to predict what might occur even in the next decade. E-mail, which now sends data hurtling across vast distances at the speed of light, has replaced primitive forms of communication such as smoke signals, which sent data hurtling across vast distances at the speed of light.
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She looked down again and I was stymied. I sat. Oh, this was enough to make me love her, because I was right with her, understanding every second and longing to step in. I didn’t even need to know the specific that was troubling her, because to me her halting voice easily stood for the general woe that hangs in the air, even on life’s happiest days.
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If you've got a dollar and you spend 29 cents on a loaf of bread, you've got 71 cents left; But if you've got seventeen grand and you spend 29 cents on a loaf of bread, you've still got seventeen grand. There's a math lesson for you.
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I used to think a wedding was a simple affair. Boy and girl meet, they fall in love, he buys a ring, she buys a dress, they say I do. I was wrong. That's getting married. A wedding is an entirely different proposition.
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You know that look that women get when they want to have sex? Me neither.
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'Dirty Rotten Scoundrels' is a good one because it not only turned out, I think, to be a really funny movie but it was also a delight to shoot. We were in the South of France, working with Glenne Headly and Michael Caine and Frank Oz the director - who were just fun.
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You know, a lot of people come to me and they say, "Steve, how can you be so fucking funny?" There's a secret to it, it's no big deal. Before I go out, I put a slice of bologna in each of my shoes. So when I'm on stage, I feel funny.
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I never touched a gun in my life. That and that alone forever doomed me to middle management.
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The presence of excessive wealth puts an unnatural spin on the appreciation of art.
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You have to get comfortable with your work, you really have to know what you're doing, and it has to be almost boring to you to be able to do it well.
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Through the years, I have learned there is no harm in charging oneself up with delusions between moments of valid inspiration.
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You know what your problem is, it's that you haven't seen enough movies - all of life's riddles are answered in the movies.
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I've been writing for a long time, since the late '60s. But it hasn't been in the same form. I used to write scripts for television. I wrote for my comedy act. Then I wrote screenplays, and then I started writing New Yorker essays, and then I started writing plays. I didn't start writing prose, really, until the New Yorker essays, but they were comic. I didn't start writing prose, really, until the '90s. In my head, there was a link between everything. One thing led to another.
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My fear represented the failure of the human system. It is a sad truth of our creation: Something is amiss in our design, there are loose ends of our psychology that are simply not wrapped up. My fears were the dirty secrets of evolution. They were not provided for, and I was forced to construct elaborate temples to house them.
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His view of the world is one that keeps his blood pressure low, sweeping the cholesterol from his relaxed, freeway-sized arteries. Everyone knows he is going to live till age ninety, although the question that goes begging is, “for what?
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Now let's repeat the non-conformists' oath: I promise to be different! I promise to be unique! I promise not to repeat things other people say! Good!
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You know, there's a moment when you're famous when it's unbearable to go out because you're too famous. And then there's a moment when you're famous just right.
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...the divided world of Aspen, where locals with a sense of entitlement were pitted against developers with a sense of condominiums.
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Lord loves a workin' man; don't trust whitey
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I'm not a human being. I'm despicable and disgusting - but that's where the money is.