Steve Martin Quotes
It [live performance] is just very difficult. Doing an hour, hour and a half of live standup is an endurance test. You almost have to do it every day to stay up on it.
Quotes to Explore
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I am completely in favour of dialogue and engagement. But it must be a true, open dialogue.
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If I give five flops, I won't get a job. You have to perform at the box office when you are at the top. No one is running a charity here. People are putting huge amounts of money to make movies, and they want the films to be successful. They have invested money in you, so it is your duty to make sure the film does well.
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It's a very good historical book about history.
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Readers appreciate the truth. Why say, 'Some think a situation is a mess?' Based on my reporting, if a situation is a mess, then I say that. The truth is always what reporters tell each other when they get back to the newsroom.
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There is nothing so well known as that we should not expect something for nothing - but we all do and call it Hope.
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Let me tell you, my career went from zero to 900. Its hard keeping up with that pace, but I wouldn't trade it for anything else in the world.
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Men think a woman should not have an opinion.
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To get away from poverty, you need several things at the same time: school, health, and infrastructure - those are the public investments. And on the other side, you need market opportunities, information, employment, and human rights.
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Time will tell how you rate against the rest of the competition. I'll let everyone else worry about championships. I'm going to worry about qualifying at Pomona.
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I love coming to London and seeing what people on the street are wearing.
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You change the world by being yourself.
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The cultural expectation should be if there's infidelity, the marriage is more important than fidelity.
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The great lesson my mother and father gave me was almost invisible. It was a strong sense of being rooted.
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If you do like what you do, you're cooperating and sharing.
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I'm a cereal girl. I have always loved my cereal ever since I was a kid.
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I always think it's really hard if you are Asian or Chinese to be really in Hollywood. There are not so many really great characters for you.
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The world has become so complex that the idea of a power in which everything comes together and can be controlled in a centralized way is now erroneous.
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I've played quite a large spectrum of teenaged girls, from psychotic to very sweet to a polygamist.
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There will always be that dreadful monster prejudice to do extra battle against because of their color.
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I've tried every context imaginable, but the trio is the most demanding. It's very difficult to get an orchestral sound out the trio, but we do because I think orchestrally. The trio allows me a lot of space. I can play solo piano, duets with the bassist, drums and piano. Playing at optimum level is the challenge. What's necessary for me is establishing a meaningful statement musically; and my experiences dictate certain musical utterances; and my training and inherent sense of judgment all feed into this. I already know what is happening before I reach the bandstand ninety per cent of the time. The value lies in my skill to interpret a song. It may go better than I planned, in some instances, but it's not going to go any worse
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We grew up with the duty to make it difficult for others before they made it difficult for us.
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It [live performance] is just very difficult. Doing an hour, hour and a half of live standup is an endurance test. You almost have to do it every day to stay up on it.
