Steve Swallow Quotes
Partisans present some of the most refreshing music I've heard in a long while, uncompromising, very well written and very well played. It demands serious attention. I hear in these players a sense of common purpose and resolve, and a strong command of a dialect uniquely suited to this music. It's heartening to hear music that looks to find its own particular place.
Quotes to Explore
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Most of the music you hear on the radio today is developed for making money. It doesn't feel true or honest. You can feel it in the music.
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I went to community college for about a year but I'd started taking music seriously by then so I dropped out.
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I go with the flow. Whatever music you play for me, I'll dance.
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Whenever you write music, you want it to touch people on a certain level. I mean, I've been reading tweets about 'Troublemaker' and people saying 'OMG, I can so relate to this - this is a guy that I fancy, or a girl that I fancy; it's exactly like this person.'
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You don't see a lot of black rock stars. The music industry tends to be segregated stylistically. It's hard for a black artist to cross over to rock music.
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As you can imagine I'm disappointed as anything that I was not selected to be the presidential running mate. And I find it continually appalling that it would be a radical thing to have a woman on the ticket.
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You can enjoy many different types of music. I think that's something more Americans should think about.
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You know, the thing that struck me about Civil War music was how bloody it was; it was full of hatred. There was incredible vitriol in it.
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Bleachers comes from a different place. It's personal. It's just me putting myself out there as myself. It's very intense.
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I open the debate… The 2nd verse of New Slaves is the best rap verse of all time….meaning … OF ALL TIME IN THE HISTORY OF RAP MUSIC, PERIOD
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People love music, but they also love the lifestyle and glam that comes along with it.
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In my shows, I always try to incorporate music because it's the most natural way to set a tone. So if I want to do a show about depression, I use the opera. If I want to do a show about greed, I use spoken word. If I want to do a show about the injustice that's taking place in the world, I might play Sam Cooke.
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I don't practice per se. I learned to play on my own, taught myself how to play. I've never really had a lesson, and I don't read music. So all the stuff that I do doesn't come from the normal set of disciplines that they teach you where you sit down and run through scales for a particular number of minutes a day.
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You're standing onstage in a sold-out arena with people singing your music, and you feel like the loneliest person in the world. Because here's a party that, essentially, it's for you. And you still somehow feel like you don't belong there. Those people all have their lives and go back home.
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I wanted to feel like an artist for once in my life. I wanted to use other producers for respect, to let them know that I listen to other people's music and that I'm just not out here on my own page.
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When the music and the characters are flawlessly synchronized, the opera develops an emotional force that movies and plays cannot match.
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Edward Albee, the premier dark playwright of the American theater, would show up at rehearsal and quote his favorite lines from 'Auntie Mame'. He would stand at the back of the theater, not facing the stage, and sort of conduct the music of his play.
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In fact, jazz has such a great feeling and great emotional content that it really doesn't require you to have technical understanding of it. I think you just have to allow your feelings to go with the music and you will find yourself carried along by it fairly quickly.
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But I just love that music scene so much, and I enjoy really being around those artists and watching them even more than I do performing, because they are a whole group of people that do it because they love music.
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As I look out there and see the culture of baseball, a lot of blacks and Latins, it's given me a lot of joy to know that Jackie started that. If Jackie hadn't come in '47, me and Ron Santo wouldn't have played in Double-A and all those years in the big leagues.
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I became convinced that the whole essence of the computer revolution is interactivity. That was very early in my career. At the time I did that it was heresy.
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Partisans present some of the most refreshing music I've heard in a long while, uncompromising, very well written and very well played. It demands serious attention. I hear in these players a sense of common purpose and resolve, and a strong command of a dialect uniquely suited to this music. It's heartening to hear music that looks to find its own particular place.
