Steve Wilkos (Steven John Wilkos) Quotes
I couldn't do my show without spending 12 years on the streets of Humboldt Park. It made me a better interrogator. Still, if they had taken me out of my squad car and gave me a show, I would've been terrible. But on 'Springer,' the spotlight was on Jerry and I got to grow up within the show.
Quotes to Explore
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My parents were divorced and I would spend weekends with my father.
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I didn't get here for my acting... but I love show business.
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What's funny in 'The Mayor of MacDougal Street' is how Dave Van Ronk talks a lot about the time and how exciting it was and how electric it was.
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When the penalty for a policeman's mistake is to put a criminal back out on the street, then we are hurting America; we are hurting our law-abiding citizens.
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I met in the street a very poor young man who was in love. His hat was old, his coat worn, his cloak was out at the elbows, the water passed through his shoes, - and the stars through his soul.
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All roads lead to Wall Street, but we feel the effects of Wall Street on every street corner. Certainly in Syracuse, N.Y., where I live.
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I spend my money on my props and my creations. I'm an inventor.
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Street and park trees provide tremendous benefits to cities.
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There's show and there's business. Business is a whole other beat.
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Oil futures were originally created to give heating oil dealers, gas retailers, aviation companies and other businesses a method of hedging against adverse price changes. Instead, they've become just another Wall Street plaything.
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Decisions are made by those who show up.
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When I appeared in 'Coronation Street,' I lived in Manchester and enjoyed it very much.
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In the house in Beverly Hills where our four children grew up, living conditions were a few thousand times improved over the old tenement on New York's East 93rd Street we Marx Brothers called home.
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And I used to go the punk clubs such as a gay club in Poland Street that everyone would go to because it was the only place you could go to looking like that without getting beaten senseless.
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I spend a lot of time with my characters.
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I spend my money like I don't have anything.
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If you look at somebody like Sam Bee, she got to create her own thing without any expectations that there was a show there. That was probably liberating for them.
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I get 'USA Today,' the 'New York Times,' 'Wall Street Journal' and the 'Star-Telegram' at my doorstep. I can't do without them.
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Touring on 'Folie' was like being the last act at the vaudeville show: We were rotten vegetable targets in clandestine hoods.
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I can talk a lot and not reveal anything; I would make a great politician.
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Those who are self-righteous are not prominent.
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Max [Landis] writes in quite a heightened way, specifically for Dirk. There's a rhythm and a specific speed to it, and it was very easy to learn because it was so well-written. It just rolled off the tongue. There aren't many auditions that I go for, where I feel like I could actually do the part. But with this one, even though I was not quite sure how to pin Dirk down, I thought I could do it.
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I couldn't do my show without spending 12 years on the streets of Humboldt Park. It made me a better interrogator. Still, if they had taken me out of my squad car and gave me a show, I would've been terrible. But on 'Springer,' the spotlight was on Jerry and I got to grow up within the show.
