Steven Johnson (Steven Berlin Johnson) Quotes
Quotes to Explore
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Prog didn't really go away. Just took a catnap in the late Seventies. A new generation of fans discovered it, and a whole new array of bands and solo artists took it on into the new millennium.
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There aren't traditions of freedom in a place like Iraq. They're going to have to come to grips with a concept that they hadn't been allowed to conceive before.
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I'm very proud of my Nigerian heritage. I wasn't fortunate enough to be raised in a heavy Nigerian environment, because my parents were always working. My father was with D.C. Cabs and my mother worked in fast food and was a nurse.
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I am not an enemy of the Negro. We want him here among us; he is the only laboring class we have.
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If I watch 'Gone With the Wind,' I always find it interesting. I think, 'What's going to happen next? What's that character going to do?' But you know, you never really need to watch the films you made again. They stay inside you, always with you.
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As feminism becomes more integrated into mainstream publications and conversation, I feel weary of an obsession of celebrity culture masquerading as activism or as conversation or action. It's clickbait.
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My first published work was when I was 19, in 'Playgirl.' It was an odd experience but exciting.
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Even as our economy starts to pick up, and new jobs are created, there is a risk that young people in Britain won't get the chances they deserve because businesses will continue to look elsewhere.
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I am a self-critical perfectionist.
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Home is where one starts from.
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I had admired Richard Burton for years and years before I had ever worked with him. He was a great, great actor. It was a joy to get to know him as a person.
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When you're mid-season, in very intense situations, it's hard not to take that home with you. Especially when you're sleeping, you can't control what you dream about. And it sneaks into the unconscious.
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We do take pride in how we look, but it's really just like, take a couple minutes, and you're ready to go.
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One Hundred Year Starship really is about the idea that is we pursue an extraordinary tomorrow; we'll build a better world today.
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There's great stuff out there, but I prefer doing a TV show, going to work every day with the same people, and a lot of stuff is not being shot in Los Angeles and I don't really want to do that because my loved ones are here.
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It's through engagement with the world, and not separation from it, that something with meaning gets produced.
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I think increasingly we want to read the history that wasn't written by the victors.
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It often takes time for the Israeli government to get things done.
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The short form, for those people who can master it - and I am by no means one of them - it is very admirable, because it is really hard to tell stories that can stick with the audience and still be between 5 and 30 minutes long. I think it's a real challenge.
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As we grow up in more technology-enriched environments filled with laptops and smart phones, technology is not just becoming a part of our daily lives - it's becoming a part of each and every one of us.
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I think to many people the term 'activist film' implies a film with a single point of view - something designed to provoke outrage and urge action on a particular issue - sort of the film equivalent of a rally. 'If a Tree Falls' is not that kind of film.
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There is nothing ridiculous in love.
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National honor is the national property of the highest value.
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The fusion of art and technology that we call interface design.
