Steven Soderbergh (Steven Andrew Soderbergh) Quotes
I've begun to believe more and more that movies are all about transitions, that the key to making good movies is to pay attention to the transition between scenes. And not just how you get from one scene to the next, but where you leave a scene and where you come into a new scene. Those are some of the most important decisions that you make. It can be the difference between a movie that works and a movie that doesn't.
Quotes to Explore
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Oh, I had, 'No one will ever fancy me!' I had that well into my teens. Even now I do not consider myself to be some kind of great, sexy beauty. I don't mind the way I'm ageing. No reason to panic just yet. I think I look my age, and that's fine.
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I've got a PowerPoint deck that I use for internal presentations, and there's a slide on it that asks, 'What percentage of your game is combat versus exploration versus puzzle solving versus platforming,' and I refuse to answer that question.
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I actually opened for Chris Rock at the Funny Bone one time.
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No, I worked a lot for European television, doing documentaries in Brazil.
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I remember having my father stand over me when I had driven over my own foot; one leg was out of the car and one leg was in the car. He looked at me and told me that I was a drunk and that he was ashamed to call me his son. That night, I stopped drinking and I never drank again; I was twenty four.
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I grew up in Hollywood during WWII, and my mother was afraid that my father was going to be drafted because she didn't think we were going to be able to live on army pay. She didn't want to have to get a job, so she decided to put me to work, and that's how I got started in the movies.
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In Maryland, we have the unfortunate distinction of being the most gerrymandered state in the entire nation.
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I don't say: 'can't do that', 'won't do that'. I've never thought in that way about work.
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When one is too old for love, one finds great comfort in good dinners.
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Sentimentality is the only sentiment that rubs you the wrong way.
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For art comes to you proposing frankly to give nothing but the highest quality to your moments as they pass, and simply for those moments' sake.
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I can't tell you how many times I've gone to present at the Golden Globes, come home, whipped the dress off and read to my daughter wearing gazillion-dollar earrings. That's how it goes in my house, and I wouldn't have it any other way.
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When it comes down to hardball, we have a veto pen, and I've used it in the past, and I expect we will have opportunity to use it in the future. That's the nature of the business.
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Obama's ascendancy unhinged the radical right, offering a unified target to competing camps of racial, nativist and religious animus.
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I like John McCain. He can always be counted on for a good quote.
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All national histories are partisan and designed to give us a good conceit of ourselves.
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My mom means the world to me. She's always been the one to get me up early for work, help me with my make up and hair, and just be there to support me in whatever I do. She always makes sure that no matter what, I'm happy in what I'm doing.
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Reality is the leading cause of stress for those in touch with it.
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If we carry on filling up the calendar, we keep on pushing the athlete, we shorten the athletes longevity. The risk is to shorten a career that could have lasted 10 years because the athlete is burnt out.
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One of the peculiar sins of the twentieth century which we've developed to a very high level is the sin of credulity. It has been said that when human beings stop believing in God they believe in nothing. The truth is much worse: they believe in anything.
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I believe that unarmed truth and unconditional love will have the final word in reality. This is why right, temporarily defeated, is stronger than evil triumphant.
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The greatest need we have is not to do things, but to believe things.
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I've begun to believe more and more that movies are all about transitions, that the key to making good movies is to pay attention to the transition between scenes. And not just how you get from one scene to the next, but where you leave a scene and where you come into a new scene. Those are some of the most important decisions that you make. It can be the difference between a movie that works and a movie that doesn't.
