Steven Spielberg Quotes
Quotes to Explore
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Foreign policy should not be justified through making oneself feel good, but through results that have tangible consequences.
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I grew up in the suburbs of Sydney, an arid kind of place, but every day I took the ferry across the harbour to get to school. I'd watch the ships coming in and going out.
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Before I was 5, I did have a lot of time on my hands. I had no job and really no career, and I spent an awful lot of time listening to records. It was more the classical ones, really - Prokofiev, and I think there was some Mozart in there, and more impressionistic composers like Delius.
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I don't want to be known as an item dancer. I want to be known as an actress only.
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I think violence can never be justified.
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It's pretty hard to make out what's going to be a commercial success and what's not.
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When I grew up, my role model was my grandma because she's just the best.
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But if you listen to great piano players, both classical and jazz, there's a huge range of dynamics and colors and emotional expression that's possible with the instrument.
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Most people are interested in seeing 27-year-old women who are in movies somehow connected to sex. It's interesting to everyone. Especially little movies that are having trouble getting made, there's always sex.
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The United States themselves are essentially the greatest poem.
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Andy Andrews is the best speaker I have ever seen.
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Once you get into your stride, the camera becomes like another person in the room. It's like being in a very small theatre where there is no getting away with anything because the audience is centimetres away from you.
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I love rock n' rollers.
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It's funny; people get so doctrinaire about music. It should be the last thing you don't have an open mind about.
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When I left the Giants in 2014, my comments were emotional, insensitive, and misguided, and I truly regret and apologize for my actions. I am committed to working hard to contributing to the success of the Giants.
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Education can become a self-fulfilling activity, liberating in and of itself.
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I didn't know who the hell I was. I was whoever they wanted me to be.
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I'm yet to attack French cooking, you know, where it's intense, following recipes and stuff. I'm more of a 'make it up' kind of thing.
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I need not print a line, nor conjure with the painter's tools to prove myself an artist ... Whilst in other spheres of labor the greater part of our life's toil and moil will of a surety end, as the wise man predicted, in vanity and vexation of spirit, here is instant physical refreshment in the work the garden entails, and, in the end, our labor will be crowned with flowers.
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It is not whether you really cry. It's whether the audience thinks you are crying.
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I never identified with anybody. I have always been very sensitive about my color, because everybody called me 'yellow gal.' I was caught in between both sides - nobody wanted me. I love that my audience is there, but I always feel as though I have to fend for myself.
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I knew I couldn't sing over them, so I decided to sing under them. The more noise they made the more softly I sang. When they discovered they couldn't hear me, they began to look at me. Then they began to listen. As I sang, I kept thinking, 'softly with feeling.' The noise dropped to a hum; the hum gave way to silence. I had learned how to reach and hold my audience -- softly, with feeling.
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Never having thought of writing for the guitar, I asked Julian Bream for a chart which would explain what the guitar could do. I managed to write some rather pretty pieces for him, except that the first six notes of the first piece all need to be played on open strings. So when he begins to play the audience will probably think he's tuning the bloody thing up!
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I would lose myself too much if I thought of myself as the audience.
