Stewart Copeland Quotes
Quotes to Explore
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I'm not coming back to play.
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I was taught to play that way when I was in high school and even before I got to high school.
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The best players will play. That's the way it will always be.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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The debt we owe to the play of imagination is incalculable.
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I thought, 'I've been doing this for 16 years professionally. I have a window where I want to play leading parts.'
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I once literally had a casting director ask my agent, 'Can she play anything other than a drunk?'
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He was so honest you could play craps with him over the phone.
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It's true what people say - that actors are the closest thing there is to children. They play.
Nastassja Kinski -
I was always the smallest role in community theater and school plays. I always had two lines - I was the kid that came on stage and said one thing and then left, and that was my part for the play.
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I was the last one to screen test for The Hardy Boys. I'd like to play that's not as clean-cut as Frank Hardy. I play him as straight as possible.
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I have never been to a museum in Hong Kong, or a movie or a play. I've never gone club-hopping. I've never taken the tram to Victoria Peak.
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Julie Andrews is so iconic, and I grew up watching 'The Sound of Music' - it's every girl's dream to play Maria, in a way, I think. That music!
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Experience without theory is blind, but theory without experience is mere intellectual play.
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If I play, I try to concentrate on producing my best.
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Most of my instruments are handmade.
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For the purposes of the play, it was perfect to be able to use that and the stresses and strains that there were. At the end of the play, the mother realizes the terrible things she had done.
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I have never had the opportunity to play in England, so I know little about it.
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I've always been distracted when somebody is coming after me and saying, "You're the only person who can play this part."
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When you have these surprise breakout films that do well, that have good performances in them, it puts a lot of pressure on the Academy to recognize those projects, so it's more of a conversation about what is greenlit.
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For they who think they make an end of temptation by yeilding to it, only set themselves on fire the more.
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I've always been a big advocate of making shows affordable because a lot of these bottle-service clubs and events are geared toward really expensive experiences. Club music is for everyone, and it drives me crazy that people are getting priced out.
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So I suppose that means we can actually play the instruments.
