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Man is not by any means of fixed and enduring form (this, in spite of suspicions to the contrary on the part of their wise men, was the ideal of the ancients). He is nothing else than the narrow and perilous bridge between nature and spirit. His innermost destiny drives him on to the spirit and to God. His innermost longing draws him back to nature, the mother. Between the two forces his life hangs tremulous and irresolute.
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The bourgeois prefers comfort to pleasure, convenience to liberty, and a pleasant temperature to the deathly inner consuming fire.
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You should not take old people who are already dead seriously. It does them injustice. We immortals do not like things to be taken seriously. We like joking. Seriousness, young man, is an accident of time. It consists, I don't mind telling you in confidence, in putting too high a value on time. I, too, once put too high a value on time. For that reason I wished to be a hundred years old. In eternity, however, there is no time, you see. Eternity is a mere moment, just long enough for a joke.
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She stood before him and surrendered herself to him and sky, forest, and brook all came toward him in new and resplendent colors, belonged to him, and spoke to him in his own language. And instead of merely winning a woman he embraced the entire world and every star in heaven glowed within him and sparkled with joy in his soul. He had loved and had found himself. But most people love to lose themselves.
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Wisdom is not communicable. The wisdom which a wise man tries to communicate always sounds foolish.
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Once you are able to make your request in such a way that you will be quite certain of its fulfillment, then the fulfillment will come.
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It was morning; through the high window I saw the pure, bright blue of the sky as it hovered cheerfully over the long roofs of the neighboring houses. It too seemed full of joy, as if it had special plans, and had put on its finest clothes for the occasion.
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A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.
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A game master or teacher who was primarily concerned with being close enough to the "innermost meaning" would be a very bad teacher. To be candid, I myself, for example, have never in my life said a word to my pupils about the "meaning" of music; if there is one it does not need my explanations. On the other hand I have always made a great point of having my pupils count their eighths and sixteenths nicely. Whatever you become, teacher, scholar, or musician, have respect for the "meaning" but do not imagine that it can be taught.
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Everything that was not suffered to the end and finally concluded, recurred, and the same sorrows were undergone.
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All this had always been and he had never seen it; he was never present. Now he was present and belonged to it. Through his eyes he saw light and shadows; through his mind he was aware of moon and stars.
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Among the letters my readers write me, there is a certain category which is continuously growing, and which I see as a symptom of the increasing intellectualization of the relationship between readers and literature.
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I called the world of phenomena an illusion, I called my eyes and my tongue an accident, valueless phenomena. No, that is all over; I have awakened, I have really awakened and I have just been born today.
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It is not our purpose to become each other; it is to recognize each other, to learn to see the other and honor him for what he is: each the other's opposite and complement.
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The reason why I do not know anything about myself, the reason why Siddhartha has remained alien and unknown to myself is due to one thing, to one single thing--I was afraid of myself, I was fleeing from myself. I was seeking Atman, I was seeking Brahman, I was determined to dismember myself and tear away its layers of husk in order to find in its unknown innermost recess the kernel at the heart of those layers, the Atman, life, the divine principle, the ultimate. But in so doing, I was losing myself.
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Each man's life represents a road toward himself, an attempt at such a road, the intimation of a path. No man has ever been entirely and completely himself.
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His life oscillates, as everyone's does, not merely between two poles, such as the body and the spirit, the saint and the sinner, but between thousands and thousands.
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The highest art... sets down its creations and trusts in their magic, without fear of not being understood.
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"You do not really love me — you love nobody. Is that not true?" "Maybe," said Siddhartha wearily. "I am like you. You cannot love either, otherwise how could you practice love as an art? Perhaps people like us cannot love. Ordinary people can — that is their secret."
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There is a miracle in every new beginning.
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Seriousness is an accident of time. It consists of putting too high a value on time. In eternity there is no time. Eternity is a moment, just long enough for a joke.
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I wanted only to live in accord with the promptings which came from my true self. Why was that so very difficult?
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A magic dwells in each beginning, protecting us, telling us how to live.
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A house without books is a poor house, even if beautiful rugs are covering its floors and precious wallpapers and pictures cover its walls.