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A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.
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Among the letters my readers write me, there is a certain category which is continuously growing, and which I see as a symptom of the increasing intellectualization of the relationship between readers and literature.
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Wisdom is not communicable. The wisdom which a wise man tries to communicate always sounds foolish.
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I realize that some people will not believe that a child of little more than ten years is capable of having such feelings. My story is not intended for them. I am telling it to those who have a better knowledge of man. The adult who has learned to translate a part of his feelings into thoughts notices the absence of these thoughts in a child, and therefore comes to believe that the child lacks these experiences, too. Yet rarely in my life have I felt and suffered as deeply as at that time.
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It was morning; through the high window I saw the pure, bright blue of the sky as it hovered cheerfully over the long roofs of the neighboring houses. It too seemed full of joy, as if it had special plans, and had put on its finest clothes for the occasion.
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Each man's life represents a road toward himself, an attempt at such a road, the intimation of a path. No man has ever been entirely and completely himself.
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There is a miracle in every new beginning.
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The reason why I do not know anything about myself, the reason why Siddhartha has remained alien and unknown to myself is due to one thing, to one single thing--I was afraid of myself, I was fleeing from myself. I was seeking Atman, I was seeking Brahman, I was determined to dismember myself and tear away its layers of husk in order to find in its unknown innermost recess the kernel at the heart of those layers, the Atman, life, the divine principle, the ultimate. But in so doing, I was losing myself.
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The world, as it is now, wants to die, wants to perish — and it will.
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I called the world of phenomena an illusion, I called my eyes and my tongue an accident, valueless phenomena. No, that is all over; I have awakened, I have really awakened and I have just been born today.
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Once you are able to make your request in such a way that you will be quite certain of its fulfillment, then the fulfillment will come.
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For the air of lonely men surrounded him now, a still atmosphere in which the world around him slipped away, leaving him incapable of relationship, an atmosphere against which neither will nor longing availed. This was one of the significant earmarks of his life.
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Everything that was not suffered to the end and finally concluded, recurred, and the same sorrows were undergone.
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Everyone can perform magic, everyone can reach his goals, if he is able to think, if he is able to wait, if he is able to fast.
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I wanted only to live in accord with the promptings which came from my true self. Why was that so very difficult?
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The highest art... sets down its creations and trusts in their magic, without fear of not being understood.
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All this had always been and he had never seen it; he was never present. Now he was present and belonged to it. Through his eyes he saw light and shadows; through his mind he was aware of moon and stars.
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A house without books is a poor house, even if beautiful rugs are covering its floors and precious wallpapers and pictures cover its walls.
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Seriousness is an accident of time. It consists of putting too high a value on time. In eternity there is no time. Eternity is a moment, just long enough for a joke.
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His life oscillates, as everyone's does, not merely between two poles, such as the body and the spirit, the saint and the sinner, but between thousands and thousands.
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A game master or teacher who was primarily concerned with being close enough to the "innermost meaning" would be a very bad teacher. To be candid, I myself, for example, have never in my life said a word to my pupils about the "meaning" of music; if there is one it does not need my explanations. On the other hand I have always made a great point of having my pupils count their eighths and sixteenths nicely. Whatever you become, teacher, scholar, or musician, have respect for the "meaning" but do not imagine that it can be taught.
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Slowly blossomed, slowly ripened in Siddhartha the realisation, the knowledge, what wisdom actually was, what the goal of his long search was. It was nothing but a readiness of the soul, an ability, a secret art, to think every moment, while living his life, the thought of oneness, to be able to feel and inhale the oneness.
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The human attitude of which classical music is the expression is always the same; it is always based on the same kind of insight into life and strives for the same kind of victory over blind change. Classical music as gesture signifies knowledge of the tragedy of the human condition, affirmation of human destiny, courage, cheerful serenity.
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For mountain and stream, tree and leaf, root and blossom, every form in nature is echoed in us and originates in the soul whose being is eternity and is hidden from us but none the less gives itself to us for the most part in the power of love and creation.