Nate Powell Quotes
The comics I made from 1990 to 1997 were largely based in vaguely urban, vaguely dystopic settings because that was my reference point for comics storytelling in general.
Quotes to Explore
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I really love storytelling.
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It would be wrong to assume that one must stay with a research programme until it has exhausted all its heuristic power, that one must not introduce a rival programme before everybody agrees that the point of degeneration has probably been reached.
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My pessimism goes to the point of suspecting the sincerity of the pessimists.
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All autobiography is storytelling; all writing is autobiography.
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When there's a status quo, usually what shakes everybody up is some sort of military confrontation, at which point we all come running and screaming to pick up the pieces.
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I'm 43 now. I've reached the point where I really can't care what anyone thinks. Of course, I do. I'm an actress. I'm totally insecure, but I'm trying to stick to my guns about what is important to me, and it doesn't matter what anyone thinks I should or shouldn't do.
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At this point, American workers are pretty respectful of the bosses they loathe.
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Over and over I'm on the point of giving it up.
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The point - the power to hurt - of all figures lies in the truthfulness of their application.
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There comes a point when a dream becomes reality and reality becomes a dream.
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I mean, there's no point in sittin' around and cryin' about spilt milk. Gotta move on.
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We are all quick to point out all the differences but not as willing to accept what bonds us as humans.
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The defection of Hussein Kamel was a turning point in the U.N.-imposed disarmament of Iraq in the 1990s.
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There isn't much room for an outsider point of view in print any more.
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Visual storytelling is at once immediate and subversive.
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I was an independent developer and started Junction Point in January of 2005.
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I'm almost numb to misogyny at this point. It's just everywhere.
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I don't see the point in working just to be working.
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He did a hell of a job. That's what happens when you have heart and guts.
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Whenever I've seen shows or films set here, they just don't feel like the real Nashville to me.
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For what I give, not what I take,
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Just as the law in civilized countries assumes that the voice of conscience tells everybody, "Thou shalt not kill," even though man's natural desires and inclinations may at times be murderous, so the law of Hitler's land demanded that the voice of conscience tell everybody: "Thou shalt kill," although the organizers of the massacres knew full well that murder is against the normal desires and inclinations of most people. Evil in the Third Reich had lost the quality by which most people recognize it - the quality of temptation.
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The comics I made from 1990 to 1997 were largely based in vaguely urban, vaguely dystopic settings because that was my reference point for comics storytelling in general.
