Nate Powell Quotes
The comics I made from 1990 to 1997 were largely based in vaguely urban, vaguely dystopic settings because that was my reference point for comics storytelling in general.
Quotes to Explore
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I really love storytelling.
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It would be wrong to assume that one must stay with a research programme until it has exhausted all its heuristic power, that one must not introduce a rival programme before everybody agrees that the point of degeneration has probably been reached.
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My pessimism goes to the point of suspecting the sincerity of the pessimists.
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All autobiography is storytelling; all writing is autobiography.
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When there's a status quo, usually what shakes everybody up is some sort of military confrontation, at which point we all come running and screaming to pick up the pieces.
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I'm 43 now. I've reached the point where I really can't care what anyone thinks. Of course, I do. I'm an actress. I'm totally insecure, but I'm trying to stick to my guns about what is important to me, and it doesn't matter what anyone thinks I should or shouldn't do.
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At this point, American workers are pretty respectful of the bosses they loathe.
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Over and over I'm on the point of giving it up.
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The point - the power to hurt - of all figures lies in the truthfulness of their application.
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There comes a point when a dream becomes reality and reality becomes a dream.
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I mean, there's no point in sittin' around and cryin' about spilt milk. Gotta move on.
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We are all quick to point out all the differences but not as willing to accept what bonds us as humans.
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The defection of Hussein Kamel was a turning point in the U.N.-imposed disarmament of Iraq in the 1990s.
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There isn't much room for an outsider point of view in print any more.
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Visual storytelling is at once immediate and subversive.
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I was an independent developer and started Junction Point in January of 2005.
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I'm almost numb to misogyny at this point. It's just everywhere.
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I don't see the point in working just to be working.
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Faith is not belief without proof, but trust without reservation.
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Like every artist that comes out, you want to make a mark; you want to be a household name and you want to be someone that people are going to look back in ten years/fifteen years' time and go, 'I love this guy Olly Murs. He was brilliant back in the day; he was someone I really, really liked.'
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Pride is the great stumbling block of Zion...Pride is ugly; it says if you succeed I am a failure...Pride is basically competitive in nature. When competition ends, pride ends.
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Golf is a game of endless failure and frustration.
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The comics I made from 1990 to 1997 were largely based in vaguely urban, vaguely dystopic settings because that was my reference point for comics storytelling in general.
