Nate Powell Quotes
The comics I made from 1990 to 1997 were largely based in vaguely urban, vaguely dystopic settings because that was my reference point for comics storytelling in general.
Quotes to Explore
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I really love storytelling.
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It would be wrong to assume that one must stay with a research programme until it has exhausted all its heuristic power, that one must not introduce a rival programme before everybody agrees that the point of degeneration has probably been reached.
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My pessimism goes to the point of suspecting the sincerity of the pessimists.
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All autobiography is storytelling; all writing is autobiography.
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When there's a status quo, usually what shakes everybody up is some sort of military confrontation, at which point we all come running and screaming to pick up the pieces.
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I'm 43 now. I've reached the point where I really can't care what anyone thinks. Of course, I do. I'm an actress. I'm totally insecure, but I'm trying to stick to my guns about what is important to me, and it doesn't matter what anyone thinks I should or shouldn't do.
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At this point, American workers are pretty respectful of the bosses they loathe.
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Over and over I'm on the point of giving it up.
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The point - the power to hurt - of all figures lies in the truthfulness of their application.
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There comes a point when a dream becomes reality and reality becomes a dream.
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I mean, there's no point in sittin' around and cryin' about spilt milk. Gotta move on.
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We are all quick to point out all the differences but not as willing to accept what bonds us as humans.
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The defection of Hussein Kamel was a turning point in the U.N.-imposed disarmament of Iraq in the 1990s.
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There isn't much room for an outsider point of view in print any more.
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Visual storytelling is at once immediate and subversive.
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I was an independent developer and started Junction Point in January of 2005.
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I'm almost numb to misogyny at this point. It's just everywhere.
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I don't see the point in working just to be working.
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My family is my biggest critic. Since they come from a non-filmi background, they give me an audience's point of view. They have been very supportive of me.
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I felt that there's an obligation when writing a piece about an urban expressway made in the 50s to acknowledge the context, and Robert Moses is sort of an iconic figure in New York, and he influenced the shape of the city more than anyone else before or after him. He was one of the most powerful and influential civic architects in the world, because of how much he transformed the city. He built multiple bridges and highways and parks and recreational spaces, beaches - in the course of a few decades, he completely changed the city
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I've never been all that interested or aware of what people are thinking about me or saying about me. I think that has kept me safest and sanest.
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Men have an extraordinarily erroneous opinion of their position in nature; and the error is ineradicable.
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The comics I made from 1990 to 1997 were largely based in vaguely urban, vaguely dystopic settings because that was my reference point for comics storytelling in general.
