Nate Powell Quotes
The comics I made from 1990 to 1997 were largely based in vaguely urban, vaguely dystopic settings because that was my reference point for comics storytelling in general.
Quotes to Explore
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I really love storytelling.
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It would be wrong to assume that one must stay with a research programme until it has exhausted all its heuristic power, that one must not introduce a rival programme before everybody agrees that the point of degeneration has probably been reached.
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My pessimism goes to the point of suspecting the sincerity of the pessimists.
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All autobiography is storytelling; all writing is autobiography.
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When there's a status quo, usually what shakes everybody up is some sort of military confrontation, at which point we all come running and screaming to pick up the pieces.
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I'm 43 now. I've reached the point where I really can't care what anyone thinks. Of course, I do. I'm an actress. I'm totally insecure, but I'm trying to stick to my guns about what is important to me, and it doesn't matter what anyone thinks I should or shouldn't do.
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At this point, American workers are pretty respectful of the bosses they loathe.
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Over and over I'm on the point of giving it up.
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The point - the power to hurt - of all figures lies in the truthfulness of their application.
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There comes a point when a dream becomes reality and reality becomes a dream.
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I mean, there's no point in sittin' around and cryin' about spilt milk. Gotta move on.
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We are all quick to point out all the differences but not as willing to accept what bonds us as humans.
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The defection of Hussein Kamel was a turning point in the U.N.-imposed disarmament of Iraq in the 1990s.
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There isn't much room for an outsider point of view in print any more.
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Visual storytelling is at once immediate and subversive.
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I was an independent developer and started Junction Point in January of 2005.
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I'm almost numb to misogyny at this point. It's just everywhere.
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I don't see the point in working just to be working.
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The relations between rhetoric and ethics are disturbing: the ease with which language can be twisted is worrisome, and the fact that our minds accept these perverse games so docilely is no less cause for concern.
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Bravery is a mean state concerned with things that inspire confidence and with things fearful ... and leading us to choose danger and to face it, either because to do so is noble, or because not to do so is base. But to court death as an escape from poverty, or from love, or from some grievous pain, is no proof of bravery, but rather of cowardice.
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And of course, the brain is not responsible for any of the sensations at all. The correct view is that the seat and source of sensation is the region of the heart.
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It's not good to live so much inside oneself. It's a self-imposed exile, really. It makes you different.
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Everything I've ever dreamed of, everything in my wildest dreams, is coming true.
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The comics I made from 1990 to 1997 were largely based in vaguely urban, vaguely dystopic settings because that was my reference point for comics storytelling in general.
