Holliday Grainger Quotes
Quotes to Explore
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My good films were independent and my bad films were not.
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When you work on a movie, especially an independent movie, it's a lot of work to make it! It's not just our job as actors - so many people are working so hard, and even the littlest movie takes a lot of work.
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My character in 'Batman v Superman' isn't supposed to be Japanese, but director Zack Snyder said he'd seen me in 'Wolverine' and had to get me in the film somehow. Hearing that was like music to my ears.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
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Oftentimes, when you have a huge studio film and you have big names attached, they like to keep attaching big names.
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I still want to do a romantic comedy or a western or a gritty independent film... there's so much that I still want to do.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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As far as acting in films, there is not much out there that is very interesting to do. The ones that are interesting to me are independent films and they have trouble raising money. With people putting their money into blockbusters, there is not much left for the independents.
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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I was actually sacked from my first job. It was at a workshop for a short film this poet had written, about when she used to work in a strip club. After the first week, I was told not to come back.
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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
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Some fellow from the Third World kept hammering for prizes for a Communist film which was rotten.
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If the money's right, I'll do a film.
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'Bombay Velvet' is my most romantic film, it's my 'Titanic' or 'Gone With The Wind.'
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The artists that we grew up listening to was also independent like Master P, like Birdman and Lil Wayne. Those are the people that we wanted to model ourselves after. Throwing on the Cartier frames, the army-style fatigue jackets.
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A couple of taxi drivers have asked me if we can survive financially as an independent nation. I say, how come we are more stupid than Denmark or Finland or Sweden? They've all got the same amount of people. Are we all going to down tools? Is everybody in Scotland going to stop working?
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When you go independent, if you fail, you're totally responsible for it. If you succeed, you're totally responsible for it. You are responsibly for who you are... and what you do and what you make.
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Beautiful film music can be made relevant to any period.
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I see women in their 30s getting plastic surgery, pulling this up and tucking that back. It's like a slippery slope - once you start you pull one thing one way and then you think, 'Oh my God, I've got to do the other side.'
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The globalization that has rescued so many in poor countries has harmed some people in rich countries, as factories and jobs migrated to where labor is cheaper.
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South Carolina State Rep. Mike Pitts wants to ban money.
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Manuscripts don't burn.
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I'd love to do more independent films.
