Wade Eastwood Quotes
The last thing you want is an injured actor. That, or having to use a stuntman too much.
Quotes to Explore
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Indians invest more in Britain than in the rest of European Union combined. It is not because they want to save on interpretation costs, but because they find an environment that is welcoming and familiar.
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I want the kind of career where I can move back and forth.
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This is how it has been since time began: If you want to make something really worthwhile and true, then you have to suffer for it.
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Mindsets, skills and leadership, experience and access, and critical consciousness - we need all four of these things for our students to be the leaders, people and citizens we want them to be.
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I realized, 'Oh, it's easier to get what I want if I embrace the sex symbol thing.' Microphones are more in my face, and I can say things about the kids that I mentor and open more access to more doors.
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I pride myself on not being run of the mill. I don't want to be your umpteenth Fantine in 'Les Miz.'
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I want to say that maybe I've made some wrong decisions, but I'm still an honorable person, and I intend to take care of all of my obligations.
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If you want a bourgeois existence, you shouldn't be an actor. You're in the wrong profession.
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There is no substitute to taking a lot of a catches as a youngster if you want to do slip catching - you've got to catch, catch, catch. And more than doing the normal stuff, you have to vary your catching - you've got to take some catches with the tennis ball, you got to take some closer, some further away.
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I never really wanted kids. I didn't not want them, but motherhood just wasn't something that pulled at me.
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I want to direct every now and then, but I don't want to be a director.
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I don't want to privatise part of the parliament, like some people in Russia.
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We want enough people adopting Bitcoin for a robust infrastructure. It's an act of patriotism. It gives the country a robust parallel system.
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I naturally want to be provocative.
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I want to play in as many theatres as possible, work with as many brilliant people as possible, but definitely do a new play.
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Exceed your customer's expectations. If you do, they'll come back over and over. Give them what they want - and a little more.
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I'm not a trend person. I don't want to look to my right and see somebody in the same thing.
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I've read stories that are set in a celebrity's house, and you know where it is and what it looks like and what's inside it, and that's not something I want anyone to know.
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If people are talking about your movie and they're like, 'Yeah, it was ok' - that's the last reaction I would want! I would rather people would say, 'Oh, I hated it!' or 'I loved it!' rather than 'Oh, it's ok.'
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The first day of 'The Town' was one of the most satisfying days of my career.
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'Social engineering,' the fancy term for tricking you into giving away your digital secrets, is at least as great a threat as spooky technology.
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Over at our place, we’re sure of just one thing: everybody in the world was once a child. So in planning a new picture, we don’t think of grown-ups, and we don’t think of children. But just of that fine, clean, unspoiled spot down deep in every one of us, that maybe the world has made us forget.
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The constant in my films is love stories. I consider love the chief business of humanity.
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The last thing you want is an injured actor. That, or having to use a stuntman too much.
