Vanderlei Luxemburgo Quotes
We can't be talking about changes. There are questions to which I say 'next question' and this is one of them.
Quotes to Explore
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I distrust Great Men. They produce a desert of uniformity around them and often a pool of blood too, and I always feel a little man's pleasure when they come a cropper.
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I think in this, definitely, because you are feeling how it felt to live in a completely different time. The mannerisms and the way that people behaved was quite different.
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I don't like possessions.
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Often I pretended to a cameraman to know less than I did. That way I got more cooperation.
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Kids are learning to play. That's why we're seeing an emergence. That's why we're seeing the Under-17s and Under-20s doing better in international football.
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When you think about those of us that live the life that we want to live, we can thank absolutely and completely our men and women in uniform. Because if it were not for them, we wouldn't enjoy the freedoms that we have.
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The person who figures out how to harness the collective genius of his or her organization is going to blow the competition away.
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I stuff animals I find; I do roadkill. They're strangely fun to have. They're like easy-to-control pets.
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I have the necessary lack of tact.
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I don't understand why women journalists always ask women about motherhood? It's far more important and interesting for women to talk about their work, their thoughts, their creativity and their individual identity.
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There are years that ask questions and years that answer.
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If gender is on a spectrum, where one finds oneself is completely unique.
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If people ask me to describe my look, I always say: 'Quite classic with an edge.'
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Social media is interesting. It helps me connect with fans. It's immediate. It's a big part of my touring business - getting the word out via Twitter, Facebook, and Instagram.
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Many people have been getting too casual about climbing Everest. I forecast a disaster many times.
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The name of the Redskins will remain the Redskins.
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I'm just trying to work out how to write music now, because I've never had the opportunity where my number-one priority is writing music. I don't know how my brain works yet.
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When I was born, my parents - my mother especially - couldn't come to terms with that fact that they had another baby girl. I know these stories in detail because every time a guest visited, or there was a gathering, they repeated this story in front of me that how I was the unwanted child.
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It's very easy to be judgmental until you know someone's truth.
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It's an often-asked question, 'Why did all these spotty white English boys suddenly start playing blues in the '60s?' It was recognized as this kind of vibrant music and when I first started playing in a blues band I just wanted to bring it to a wider public who hadn't really heard it.
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It seems to me that the novel is very much alive as a form. Without any question, every epoch has its own forms, and the novel nowadays cannot resemble that of the nineteenth century. In this domain all experiments are justified, and it is better to write something new clumsily than to repeat the old brilliantly. In the nineteenth century, novels dealt with the fate of a person or of a family; this was linked to life in that period. In our time the destinies of people are interwoven. Whether man recognizes it or not, his fate is much more linked to that of many other people than it used to be.
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My grandfather and I were very close.
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I have dreamed in my life, dreams that have stayed with me ever after, and changed my ideas; they have gone through and through me, like wine through water, and altered the color of my mind.
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We can't be talking about changes. There are questions to which I say 'next question' and this is one of them.
