Ralph Macchio Quotes
Guys like Spielberg and Zemeckis and really anybody who is a storyteller-filmmaker today has studied Hitchcock and the way he visually tells a story. He was the master of suspense, certainly, but visually you would get a lot of information from what he would do with the camera and what he would allow you to see as the story was unfolding.
Quotes to Explore
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I had a pretty bad time when I was an undergraduate at Cornell University. I failed out of school. I was much, much heavier.
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I don't mind talking about 'what might have been,' but I am not one to doubt or regret most of my decisions.
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The road to democracy is rarely smooth, but for Egyptian women, it has been exceptionally bumpy.
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I felt audiences are happier to take comedy people who play darker people because there's a link between the psychosis of comedy and the psychosis of being a twisted character.
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I've been accused of having very long ingredient lists, and I guess there's some truth in that.
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I've had an extraordinary life as a dancer. You tour the world, you see all the great capitals of the world, the beautiful old opera houses all over Europe - you go everywhere. As a teenager, I would always say, 'I can't believe this is happening to little me,' because it was always a dream to dance.
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I am very different to how people think I am. It's the characters I play that they are responding to.
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I need to be doing different things all the time; it's just part of who I am.
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I've spoken with friends who are rabbis and priests and we've agreed that most people have an emotional attachment to their faith, a desire to fulfill their spiritual longings, but they are not experts in understanding the history of their religion.
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I was a very focused kid. I always had this crazy lifestyle... billions of jobs, two hours of gymnastics every day, handball, anything with a ball, really. I must have had ADHD or something. I was very energetic, and very small. I didn't start growing until the last year of high school.
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The first thing I look at is, 'Is the entrepreneur going after really big problems, to the extent that it feels scary when they talk about it?' You wonder if the idea is possible. I have seen that a lot of times, people go after small problems, and that's a sign that they are not confident.
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I enjoy speaking to other women about turning 50, and how we can enjoy it, and how we can explore it.
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A friend is someone who will allow me to be a really bad friend and not hold it against me.
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I thought marriage was something very quiet and very regular and very bourgeois.
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I remember growing up always loving the guitar. I used to love to watch the people play on the Country Western shows on TV. My folks told me that when I was just a toddler, I used to pretend I was playing a guitar on a toothpick.
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There are millions of people who consume music illegally every month. Just getting them into a legal service will make the music industry way bigger than it's ever been before.
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If I could get the respect of 14-year-olds, I'm happy. They're the toughest audience.
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We have heard time and time again in the course of our work how talking can help heal the hidden challenges we can't deal with alone.
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I don't think anyone connected with Five-O believed the show would last as long as it did.
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I first became interested in Ho Chi Minh in 1964-1965 while I was stationed at the U.S. Embassy in South Vietnam as a foreign service officer with the Department of State. The government in Saigon was at the point of collapse and the [Lyndon] Johnson administration was preparing to send U.S. combat troops to prevent a communist victory there. I became convinced that the U.S. effort would not succeed because of the lack of conviction in the Saigon government compared to the discipline and sense of self-sacrifice among the Viet Cong.
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It was my father who taught us that an immigrant must work twice as hard as anybody else, that he must never give up.
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They decided as part of my 75th birthday celebrations that I would be entitled to fly first class. I'll be honest, I'm not good at flying anymore. To my credit, I can stretch out on two coach seats.
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I'm horrified to find, as I look at these diaries of twenty-five years ago or more, that I don't remember who the people were. 'Bill and Tony were constantly in and out. We went to La Jolla' - or something. I haven't the bluest idea who they were!
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Guys like Spielberg and Zemeckis and really anybody who is a storyteller-filmmaker today has studied Hitchcock and the way he visually tells a story. He was the master of suspense, certainly, but visually you would get a lot of information from what he would do with the camera and what he would allow you to see as the story was unfolding.
