E. Lockhart Quotes
...a box where she was expected to be sweet and sensitive (but not oversensitive); a box for young and pretty girls who were not as bright or powerful as their boyfriends. A box for people who were not forces to be reckoned with.
Quotes to Explore
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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All the forces in the world are not so powerful as an idea whose time has come.
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I got to the big leagues when I was 20. I thought I had it all figured out. Went to spring training that next year and started off well, got sent down, and I pouted pretty much all of 2000. And it wasn't the right way to handle it.
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The most valuable possession you can own is an open heart. The most powerful weapon you can be is an instrument of peace.
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Most people don't really like to pose. It is difficult to get them to be present and relaxed under this kind of molecular scrutiny. I want them to understand I'm not simply painting them: I am painting them within a precise moment in time, as a shadow moves across their eyebrows. Then it is gone. The moment is over.
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In my flat in Chicago, I've got this big room with an office in the corner and a balcony so I can watch people go by.
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Every little girl looks up to her mom so much - that's your first hero.
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Married people from my generation are like an endangered species!
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Curiosity is natural to the soul of man and interesting objects have a powerful influence on our affections.
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Playing good girls in the 30s was difficult, when the fad was to play bad girls. Actually I think playing bad girls is a bore; I have always had more luck with good girl roles because they require more from an actress.
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I will stand up for a girl who is being harassed or bullied for choosing to wear revealing clothes. I will stand up for that!
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Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
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The villains that I play, I always think that they are grounded, wonderful people with enormous intellects who are very exciting to spend an evening with. I never see them as bad people.
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With modelling, you go somewhere for 24 hours and you don't even see the city, you don't talk to people or see the culture.
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The majority of the Afghan people support a strategic partnership with the United States.
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As philanthropists, the most powerful legacy we can create is one that keeps on giving - through our children.
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I think Paris smells not just sweet but melancholy and curious, sometimes sad but always enticing and seductive. She's a city for the all senses, for artists and writers and musicians and dreamers, for fantasies, for long walks and wine and lovers and, yes, for mysteries.
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I've been lucky to work with people that I like most of the time. If I don't like them, I'll play head games with them to get their minds spinning.
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Fear of carbs, of gluten, of everything - we've distanced ourselves from the beauty of food, the art of it. It makes me sad when people say, 'Oh, I don't eat gluten. I don't eat cheese. I don't eat this. So I eat cardboard.'
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When I was going out and trying to fully give glory to God, in my setting, I feared that people would be dismissive of it, like, 'This is Christian rap. I'm not trying to hear it.' But it's the total opposite: People were very accepting of it.
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Education must not simply teach work - it must teach Life.
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Tennis has been around for so long - women have been playing the majors since the 1800s. Other sports have not had professional leagues for women for as long.
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...a box where she was expected to be sweet and sensitive (but not oversensitive); a box for young and pretty girls who were not as bright or powerful as their boyfriends. A box for people who were not forces to be reckoned with.
