Hunter Parrish Quotes
New York is a character, all on its own, and whenever you film there, it becomes part of the show. That's just the nature of being there.
Quotes to Explore
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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There are a lot of actors who will sit here and talk to you about characters - 'He does this, and she's a really interesting character because she does this.' I'm not like that at all. I'm not an actory actor.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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The test of character is having the ability to meet challenges.
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I thought some of Mrs. White's material was prophetic. I felt some of her insights were extremely helpful and I regarded her as a sister in the Lord. I wasn't out to attack Ellen White's character.
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I am the biggest geek and fan of film and TV, and I just go through phases.
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On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
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I try to think what the character is thinking. Then, hopefully, I begin to feel it. I act and react not because I'm recalling a dog killed by a fire engine, but because I'm concentrating on what the character is going through.
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The past could liberate or imprison - it creates a nation's character, provides the nourishment or the poison a people imbibe in their very marrow.
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Science, almost from its beginnings, has been truly international in character. National prejudices disappear completely in the scientist's search for truth.
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Religious beliefs have played a vital role in forming America's character as well as my own. I was raised as a Lutheran, and I believe in God and consider my faith and involvement with organized religion to be an important part of who I am.
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It's a very strange experience being on set of 'Breaking Bad;' you never know what's coming next for your character. I feel like I don't even know if I'm going to live through the next scene I'm in. It's exciting to work on.
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Most of the names in my books have secondary meaning. Sometimes they foreshadow; sometimes they tell you about the character's origin or back story.
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I do love the clothes on 'Mad Men' because my character has been so elegant and I would never have had access to these clothes. I think Janie Bryant is a costume designing genius. They'll call and tell me, 'It will only take an hour,' and I'm like, 'I will try on the whole truck!'
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When you're in the head of the character, you feel less self-conscious. If I was just being me, I would feel so exposed and be like, 'Why is there a huge camera in my face?' But, when you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.
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I want to do theatre and film and direct my own things and develop.
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The more people know about you, the more face-time you get in the media, the harder your job becomes to create a character in whom people suspend disbelief.
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I won't take parts where the female character has no substance.
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The way I work is by infinitely playing a very simple loop over and over, and then I start layering things.
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Myself when young did eagerly frequent doctor and saint, and heard great argument about it and about: but evermore came out by the same door as in I went.
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I'm interested in people who are dwelling outside the mainstream. And very often, those people happen to be woman of color.
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My family aren't performers. They're just normal people. They don't understand this entertainment world. They just think it's mental. They have no idea what I'm doing in America.
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New York is a character, all on its own, and whenever you film there, it becomes part of the show. That's just the nature of being there.
