Viola Davis Quotes
My husband [Julius Tennon] and I started a production company. We've already optioned a book and some scripts to do exactly that, to create more complicated, multi-faceted roles for African-Americans, especially African-American females. I think it's important.
Quotes to Explore
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Sometimes you have to go up really high to understand how small you really are.
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I will never sign to a major record label again. If, by some mega fluke, a record of mine looked like it might break big, I'd try and do it via an indie or somehow license it. I'm not having my music owned by those corporate bastards again.
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I'm not a runner, and I always dreamed about just throwing on my sneakers and really knocking everyone's socks off with my joy of traversing the world by foot.
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I've never actually directed anything I haven't made up. I've never adapted anything.
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I have always found photography magical, and became more taken with it whilst modeling.
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A movie is about human beings, about humanity.
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It goes without saying that it's hard to attain a certain level of success.
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I believe that my parents did wonderful things for us.
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I've always looked at filmmaking as a lifestyle. There is no decision of when you go to work. It's a way of life: you're thinking about scripts; you see things and think, 'That could be interesting'... I don't think about my work as, 'Today I'll work on this, this and that.' It just comes to me.
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Well, I'm not going to sit here and pretend that I haven't been a rogue most of my life.
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If members of the security apparatus could, with impunity, keep from those elected by the people that which they're entitled to know - or worse, feed false information - those who could control the classified data could be the real decision makers.
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You don't see many Jon Jones's.
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For an actor, you're rejected eight or ten times a day. All you've got to sell is yourself. You're not selling products, they're not turning down a car, they're turning you down. Most people can't handle that. Most people are essentially not set up that way.
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What goes on between the actor and director is sacred.
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I realize that I'm not going to be everybody's cup of tea, and that's okay. I think that's the point of music.
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My family and I have a little joke that if I'm feeling particularly blue, and nobody cares about me, I should just go to the airport! That is where I am most recognized.
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I came to poetry through the urgent need to denounce injustice, exploitation, humiliation. I know that's not enough to change the world. But to remain silent would have been a kind of intolerable complicity.
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Youth is really in your attitude, not in what you look like.
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There are very few films that I've ever seen in my life that would be as silent or vacant as something like Jeremiah Johnson, and that to me was unbelievably captivating. You can see the same about [The Outlaw] Josey Wales: there's very little dialogue, and yet it contains such a deep, rich story. I've always thought of the western as American storytelling at its best.
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My husband [Julius Tennon] and I started a production company. We've already optioned a book and some scripts to do exactly that, to create more complicated, multi-faceted roles for African-Americans, especially African-American females. I think it's important.
