Virginia Woolf Quotes
Quotes to Explore
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I didn't want to leave Newcastle, but that's football.
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I think 'The Color of Money' was very instrumental in opening up other opportunities. People started to recognize me as an artist after that film. And then, after I did 'Bird,' it was more solidified.
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It is something where I think that people need to take a step back and realize how bad these things we are doing really are for our ears. But nobody really thinks about it. We're playing shows every night with music in our ears. That's just the industry.
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I don't want or need to gain respect with what I do off the court. I want respect for what I do on the court.
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The truth about people at every economic level of life is you get those who are kind and who are not, those who are greedy, whether they be rich or poor. That's a common thread through humanity on any street you go to.
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I've really been writing a lot of country songs. I used to get criticized for doing a 'Bump & Grind,' then turning around and doing a gospel song. But the truth is I'm glad I have a gift that allows me to switch lanes.
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I watch a lot of television. I always have.
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Making films is my hobby. It relaxes me; it is my life, and it's one of the best jobs in the world. I go to work and solve problems, fight robots, kill aliens, and kiss beautiful women. I'm a very lucky man.
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If I decide to make a coat red in the show, it's not just red, I think: is it communist red? Is it cherry cordial? Is it ruby red? Or is it apple red? Or the big red balloon red?
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Happiness in this world, when it comes, comes incidentally. Make it the object of pursuit, and it leads us a wild-goose chase, and is never attained. Follow some other object, and very possibly we may find that we have caught happiness without dreaming of it.
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A lot of fighters come from Brazil. We've been doing this for long, long years.
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Under Hitler it was the entrepreneurial and professional classes who were the first victims of Nazi boycotts and exclusion. Today it is Israel, the most powerful symbol of Jewish national resurgence in two millennia.
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I do have the personnel that we use in the back of my head when I'm working, but I also don't want to limit myself.
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We need to understand what innovation will be built on top of our networks.
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When I have a creative block, I take walks. I like to see what shapes stick out - so many legs rushing by at once, it can seem abstract. I don't need to see great art to get stirred up. Music does that for me more easily.
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I was lucky. My parents and teachers provided me with a wonderful and secure childhood where I always knew I was loved, valued, and listened to.
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When people are poor, they find ways of making things taste like fish.
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My success has got so great, it's like I'm trapped, almost, within it.
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If the sensitive washout has no taste for extreme gestures, total self-destruction, then his hope for singularity rests in his voice. Tone is everything.
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It's kind of like Pontius Pilate washing his hands.
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I always say to people that you have never seen the best of me, and that's what I mean - I've never been fully fit.
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When our memories outweigh our dreams, it is then that we become old.
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A true noun, an isolated thing, does not exit in nature. Things are only the terminal points, or rather the meeting points of actions, cross sections cut through actions, snapshots. Neither can a pure verb, an abstract motion, be possible in nature. The eye sees noun and verb as one, things in motion, motion in things.
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Her life-that was the only chance she had-the short season between two silences.
