Viswanathan Anand Quotes
Quotes to Explore
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When I go a stretch without tweeting, I will occasionally get an email from my mom, checking in. I always find this amusing but also gratifying: Thanks to Twitter, I can keep in touch with my parents and let them in on what I'm doing in a way that even the regular phone calls of a doting daughter can't do.
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It's a heavy burden to look up at the mountain and want to start the climb.
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Fortuitous circumstances constitute the moulds that shape the majority of human lives, and the hasty impress of an accident is too often regarded as the relentless decree of all ordaining fate.
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I think everybody knows my sound because I'm me, you know? But, on your fourth album, I think you've definitely gotta show growth because I definitely don't plan on being one of those cats that fade off. It's always about growing with me; I grew up over the years.
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Ecuador has never stated flatly that it would give asylum to Edward Snowden.
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You would not believe that Paula Patton and I have the same trainer.
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I feel like when you do things with such a small budget, it actually makes you be more creative... and allows you to concentrate more on the story and the characters. I think that there is something about dirty, gritty and raw filmmaking that makes it feel a little more natural and makes it easier to connect with the action.
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That's why we're doing this, to defend our traditions a little. I don't have anything against it (Halloween), but it's not our tradition.
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Whenever we would prepare the mind by a forcible appeal, an opening quotation is a symphony preluding on the chords those tones we are about to harmonize.
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Because in big and diverse societies like ours, progress ultimately depends on something more basic, and that is how we see each other. And we know from experience what makes nations strong. And Neha I think did a great job of describing the essence of what’s important here. We are strongest when we see the inherent dignity in every human being.
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What’s our excuse today for not voting? How do we so casually discard the right for which so many fought? How do we so fully give away our power, our voice, in shaping America’s future? Why are we pointing to somebody else when we could take the time just to go to the polling places? We give away our power.
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I was responsible to no one, I had no need mumble excuses or lies. I would become someone else and my metamorphosis would be so complete that no one I’d met over the past fifteen years would be able to recognize me. (116)
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Originality is the fine art of remembering what you hear but forgetting where you heard it.
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It's not like I'm anti-China. I just think it's ridiculous that we allow them to do what they're doing to this country, with the manipulation of the currency, that you write about and understand, and all of the other things that they do.
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Choupette literally has the finest tuna, the finest of everything a cat could ever have.
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The truth is that painting is all about scale; you use scale to create experience. A lot of artists have lost that ability. They don't even know that's something they should be doing.
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At 16, when I was at Henry M. Gunn High School, I had a crush on the English teacher, and my grades improved dramatically. This great school had only 400 students, mostly children of Stanford professors, and it was more usual to have classes under one of the oak trees dotted around the campus than in the classroom.
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Time takes away the grief of men.
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I have to look after myself. I go to the gym every day; I have physio every day, I have a couple of guys that work with my body a lot.
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Characters take on life sometimes by luck, but I suspect it is when you can write more entirely out of yourself, inside the skin, heart, mind, and soul of a person who is not yourself, that a character becomes in his own right another human being on the page.
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Elvis is symbolic of a lot of things, dreams coming true being one of them.
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You can’t blame gravity for falling in love.
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I'm an artist; affirmation is like catnip to me.
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Each match I play is the most important one yet.
