Uwem Akpan Quotes
I believe artists should be able to step into other people's situations, contexts and cultures and work from there. If artists don't have that freedom, then, as someone has said, are we all writing our autobiographies?
Quotes to Explore
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If you're going to play the game properly, you'd better know every rule.
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Everyone enjoys doing the kind of work for which he is best suited.
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I'm learning as I go. I don't know everything. I never had anybody to look at, nobody ever taught me, and where I'm from I didn't have any famous role models.
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My father was a civil servant in northern India where I was born. As a boy I saw the dire effects of poverty and illiteracy, especially on women and children. It often seemed that the only thing separating me from them was luck.
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It's a good thing I don't read everything Eddie says, or I'd be up in arms and not enjoying my life.
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I personally think Beyonce's a strong feminist. What she's done in music and for women is unprecedented. I love her. She definitely makes me feel like more of a woman.
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I have a pair of Rodarte leggings. They're crazy, but I wore them for one day, and then by the end of the day they weren't tearing, but they were getting a little loose.
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There are no free lunches in life. You have to earn it. I am paying my dues. People have accused me of having it easy because I am Amitabh Bachchan's son. Yes, I am his son, and I've never run away from it. I work hard to make him proud.
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I think I would like to have lived in the 1930s and worn beautiful bias cut dresses all the time.
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I got into politics because businessmen should be spending your money.
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A new reader shouldn't be able to find you in your work, though someone who's read more may begin to.
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Your focus should be on creating an environment where growth can occur and then letting nature take its course.
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It's the irrational things that interest me.
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I think a lot of us feel the need to always be connected, and finding time to relax and sometimes play is something that I think we all need to make more time for, especially me.
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I busted my butt all my life building companies.
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The idea of doing a production of 'Carousel' that doesn't feel like it's stuck in the 1950s really intrigues me.
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Money is a kind of poetry.
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For 'Hidalgo,' I just spent as much time around horses as I could, which made sense.
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For a long time, I felt instinctively irritated - sometimes repelled - by scientific friends' automatic use of the word 'mechanism' for automatic bodily processes. A machine was man-made; it was not a sentient being; a man was not a machine.
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One person I find fascinating is J.Crew's Mickey Drexler. I would love to get into that brain and see how it works.
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I grew up in a very visual household. My dad is a designer; my sister is a designer. My brother is an amazing architect who does music. But I think in the Chung household, how things looked was an important part of who you are.
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I called the guys from Promise of the Real, whom I've been playing with, and they were all on the road. Right after I hung up the phone, I wrote another song and started writing another, and I'm going, "Hey, I can't wait. I should be doing this now!" My experience tells me that when it's there, it's there, and you can't make it wait. So I got Jimmy Keltner and Paul Bushnell, two good guys, and went in and did this record "Peace Trail".
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The euro pleases dispirited people for whom European history is not Chartres and Shakespeare but the Holocaust and the Somme. The euro expresses cultural despair.
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I believe artists should be able to step into other people's situations, contexts and cultures and work from there. If artists don't have that freedom, then, as someone has said, are we all writing our autobiographies?
