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It was an interesting thing to do. Why did I write any of my books, after all? For the sake of the pleasure, for the sake of the difficulty. I have no social purpose, no moral message; I've no general ideas to exploit, I just like composing riddles with elegant solutions.
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My Carmen," I said (I used to call her that sometimes) "we shall leave this raw sore town as soon as you get out of bed." "... Because, really," I continued, "there is no point in staying here." "There is no point in staying anywhere," said Lolita.
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The good, the admirable reader identifies himself not with the boy or the girl in the book, but with the mind that conceived and composed that book.
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I see nothing for the treatment of my misery but the melancholy and very local palliative of articulate art.
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The nostalgia I have been cherishing all these years is a hypertrophied sense of lost childhood, not sorrow for lost banknotes.
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Turning one's novel into a movie script is rather like making a series of sketches for a painting that has long ago been finished and framed.
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Genius is an African who dreams up snow.
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My characters are galley slaves.
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...and the red sun of desire and decision (the two things that create a live world) rose higher and higher, while upon a succession of balconies a succession of libertines, sparkling glass in hand, toasted the bliss of past and future nights.
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She would try to relieve the pain of love by first roughly rubbing her dry lips against mine; then my darling would draw away with a nervous toss of her hair, and then again come darkly near and let me feed on her open mouth, while with a generosity that was ready to offer her everything, my heart, my throat, my entrails, I gave her to hold in her awkward first the scepter of my passion.
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There is the first satisfaction of arranging it on a bit of paper; after many, many false tries, false moves, finally you have the sentence you recognize as the one you are looking for.
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Literature and butterflies are the two sweetest passions known to man.
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I witness with pleasure the supreme achievement of memory, which is the masterly use it makes of innate harmonies when gathering to its fold the suspended and wandering tonalities of the past.
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Curiously enough, one cannot read a book; one can only reread it. A good reader, a major reader, and active and creative reader is a rereader.
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Life is just one small piece of light between two eternal darknesses.
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Even while writing his book, he had become painfully aware how little he knew his own planet while attempting to piece together another one from jagged bits filched from deranged brains.
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To a greater or lesser extent there goes on in every person a struggle between two forces: the longing for privacy and the urge to go places: the introversion, interest directed within oneself toward one's own inner life of vigorous thought and fancy; and extroversion, interest directed outward, toward the external world of people and tangible values.
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The social or economic structure of the ideal state is of little concern to me. My desires are modest. Portraits of the head of the government should not exceed a postage stamp in size. No torture and no executions. No music, except coming through earphones, or played in theaters. Freedom of speech, freedom of thought, freedom of art.
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Only talent interests me in paintings and books. Not general ideas, but the individual contribution.
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The compensation for a death sentence is the knowledge of the exact hour when one is to die. A great luxury, but one that is well earned.
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It is strange that the tactile sense, which is so infinitely less precious to men than sight, becomes at critical moments our main, if not only, handle to reality.
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for better or worse, it is the commentator who has the last word.
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A wise reader reads the book of genius not with his heart, not so much with his brain, but with his spine. It is there that occurs the telltale tingle.
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I don't think in any language. I think in images.