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It was love at first sight, at last sight, at ever and ever sight.
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My answer to your question'Does the writer have a social responsibility?' is NO.You owe me ten cents, sir.
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I would like to spare the time and effort of hack reviewers and, generally, persons who move their lips when reading.
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You have to be an artist and a madman, a creature of infinite melancholy, with a bubble of hot poison in your loins and a super-voluptuous flame permanently aglow in your subtle spine (oh, how you have to cringe and hide!), in order to discern at once, by ineffable signs―the slightly feline outline of a cheekbone, the slenderness of a downy limbs, and other indices which despair and shame and tears of tenderness forbid me to tabulate―the little deadly demon among the wholesome children; she stands unrecognized by them and unconscious herself of her fantastic power.
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The evolution of sense is, in a sense, the evolution of nonsense.
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A work of art has no importance whatever to society. It is only important to the individual, and only the individual reader is important to me. I don't give a damn for the group, the community, the masses, and so forth.
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To begin with, let us take the following motto...Literature is Love. Now we can continue.
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Genius still means to me, in my Russian fastidiousness and pride of phrase, a unique dazzling gift. The gift of James Joyce, and not the talent of Henry James.
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That swimming, sloping, elusive something about the dark-bluish tint of the iris which seemed still to retain the shadows it had absorbed of ancient, fabulous forests where there were more birds than tigers and more fruit than thorns, and where, in some dappled depth, man's mind had been born.
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Why do those people guess so much and shave so little, and are so disdainful of hearing aids?
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Literature is invention. Fiction is fiction. To call a story a true story is an insult to both art and truth.
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I looked and looked at her, and I knew, as clearly as I know that I will die, that I loved her more than anything I had ever seen or imagined on earth. She was only the dead-leaf echo of the nymphet from long ago - but I loved her, this Lolita, pale and polluted and big with another man's child. She could fade and wither - I didn't care. I would still go mad with tenderness at the mere sight of her face.
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I think she always nursed a small mad hope.
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After the first shock of recognition - a sudden sense of "this is what I'm going to write" - the novel starts to breed by itself; the process goes on solely in the mind, not on paper. I feel a kind of gentle development, an uncurling inside, and I know that the details are there already, that in fact I would see them plainly if I looked closer, but I prefer to wait until what is loosely called inspiration has completed the task for me.
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Although we read with our minds, the seat of artistic delight is between the shoulder blades. That little shiver behind is quite certainly the highest form of emotion that humanity has attained when evolving pure art and pure science. Let us worship the spine and its tingle.
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She had spent all her life in feeling miserable; this misery was her native element; its fluctuations, its varying depths, alone save her the impression of moving and living. What bothers me is that a sense of misery, and nothing else, is not enough to make a permanent soul. My enormous and morose Mademoiselle is all right on earth but impossible in eternity.
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And what is death, if not a face at peace - its artistic perfection.
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I need you, the reader, to imagine us, for we don't really exist if you don't.
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It is nothing but a kind of a microcosmos of communism - all that psychiatry', rumbled Pnin ... 'Why not leave their private sorrow to people? Is sorrow not, one asks, the only thing in the world people really possess?
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Literature, real literature, must not be gulped down like some potion which may be good for the heart or good for the brain—the brain, that stomach of the soul. Literature must be taken and broken to bits, pulled apart, squashed—then its lovely reek will be smelt in the hollow of the palm, it will be munched and rolled upon the tongue with relish; then, and only then, its rare flavor will be appreciated at its true worth and the broken and crushed parts will again come together in your mind and disclose the beauty of a unity to which you have contributed something of your own blood.
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He broke my heart. You merely broke my life.
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The summer night was starless and stirless, with distant spasms of silent lightning.
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Mnemosyne, one must admit, has shown herself to be a very careless girl.
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We hasten to alienate the very fates we intended to woo.