Vladimir Nabokov Quotes
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But that mimosa grove-the haze of stars, the tingle, the flame, the honey-dew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since-until at last, twenty-four years later, I broke her spell by incarnating her in another.
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I do not begin my novel at the beginning, I do not reach chapter three before I reach chapter four, I do not go dutifully from one page to the next, in consecutive order; no, I pick out a bit here and a bit there, till I have filled all the gaps on paper. This is why I like writing my stories and novels on index cards, numbering them later when the whole set is complete. Every card is rewritten many times.
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I see again my schoolroom in Vyra, the blue roses of the wallpaper, the open window.… Everything is as it should be, nothing will ever change, nobody will ever die.
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The spiral is a spiritualized circle. In the spiral form, the circle, uncoiled, has ceased to be vicious; it has been set free.
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A toothache will cost a battle, a drizzle cancel an insurrection.
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Beauty plus pity -- that is the closest we can get to a definition of art.
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Non-Russian readers do not realize two things: that not all Russians love Dostoievsky as much as Americans do, and that most of those Russians who do, venerate him as a mystic and not as an artist.
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Another tormentor inquired if it was true that I had installed two ping-pong tables in my basement. I asked, was it a crime? No, he said, but why two? Is that a crime? I countered, and they all laughed.
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I could isolate, consciously, little. Everything seemed blurred, yellow-clouded, yielding nothing tangible. Her inept acrostics, maudlin evasions, theopathies - every recollection formed ripples of mysterious meaning. Everything seemed yellowly blurred, illusive, lost.
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And yet I adore him. I think he's quite crazy, and with no place or occupation in life, and far from happy, and philosophically irresponsible – and there is absolutely nobody like him.
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I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.
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The fire you rubbed left its brand on the most vulnerable, most vicious and tender point of my body. Now I have to pay for your rasping the red rash too strongly, too soon, as charred wood has to pay for burning. When I remain without your caresses, I lose all control of my nerves, nothing exists any more than the ecstasy of friction, the abiding effect of your sting, of your delicious poison.
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For I do not exist: there exist but the thousands of mirrors that reflect me.
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Use unlikely materials. Who would choose Pnin as hero, but how did we live before Pnin?
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I cannot disobey something which I do not know and the reality of which I have the right to deny.
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There is only one real number: one. And love, apparently, is the best exponent of this singularity.
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I was the shadow of the waxwing slain/By the false azure in the windowpane.
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At a very early stage of the novel's development I get this urge to collect bits of straw and fluff, and to eat pebbles. Nobody will ever discover how clearly a bird visualizes, or if it visualizes at all, the future nest and the eggs in it.
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- Might it console you to know that I expect nothing but torture from her return? That I regard you as a bird of paradise? She shook her head. - That my admiration for you is painfully strong? - I want Van – she cried – and not intangible admiration. - Intangible? You goose. You my gauge it, you may brush it once very lightly with the knuckles of you gloved hand. I said knuckles. I said once. That will do. I can't kiss you. Not even your burning face. Good-bye, pet. Tell Edmond to take a nap after he returns. I shall need him at two in the morning.
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Coordinating there Events and objects with remote events And vanished objects. Making ornaments Of accidents and possibilities.
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Have you ever happened, reader, to feel that subtle sorrow of parting with an unloved abode? The heart does not break, as it does in parting with dear objects. The humid gaze does not wander around holding back a tear, as if it wished to carry away in it a trembling reflection of the abandoned spot; but in the best corner of our hearts we feel pity for the things which we did not bring to life with our breath, which we hardly noticed and are now leaving forever. This already dead iventory will not be resurrected in one's memory.
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Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green see-saw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.
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There are some varieties of fiction that I never touch - mystery stories, for instance, which I abhor, and historical novels. I also detest the so-called "powerful" novel - full of commonplace obscenities and torrents of dialog.
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In this crazy mirror of terror and art a pseudo-quotation made up of obscure Shakespeareanisms (Chapter Three) somehow produces, despite its lack of literal meaning, the blurred diminutive image of the acrobatic performance that so gloriously supplies the bravura ending for the next chapter.