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Treading the soil of the moon, palpating its pebbles, tasting the panic and splendor of the event, feeling in the pit of one's stomach the separation from Terra-these form the most romantic sensation an explorer has ever known . . . this is the only thing I can say about the matter. The utilitarian results do not interest me.
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I have no ear for music. When I attend a concert, I endeavor gamely to follow the sequence and relationship of sounds but cannot keep it up for more than a few minutes. Visual impressions, reflections of hands in lacquered wood, a diligent bald spot over a fiddle, take over, and soon I am bored beyond measure by the motions of the musicians.
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The thought, when written down, becomes less oppressive, but some thoughts are like a cancerous tumor: you express is, you excise it, and it grows back worse than before.
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I have the European urge to use my feet when a drive can be dispensed with.
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Old birds like Orlovius are wonderfully easy to lead by the beak, because a combination of decency and sentimentality is exactly equal to being a fool.
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My own ultraviolet darling. " Lolita
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Coordinating there Events and objects with remote events And vanished objects. Making ornaments Of accidents and possibilities.
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Was she really beautiful? Was she at least what they call attractive? She was exasperation, she was torture.
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There was no Lo to behold.
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I have often noticed that after I had bestowed on the characters of my novels some treasured item of my past, it would pine away in the artificial world where I had so abruptly placed it.
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Just like a man grieving because he has recently lost in his dreams some thing that he had never had in reality, or hoping that tomorrow he would dream that he found it again. That is how mathematics is created; it has its fatal flaw.
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- Might it console you to know that I expect nothing but torture from her return? That I regard you as a bird of paradise? She shook her head. - That my admiration for you is painfully strong? - I want Van – she cried – and not intangible admiration. - Intangible? You goose. You my gauge it, you may brush it once very lightly with the knuckles of you gloved hand. I said knuckles. I said once. That will do. I can't kiss you. Not even your burning face. Good-bye, pet. Tell Edmond to take a nap after he returns. I shall need him at two in the morning.
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Imagination without knowledge leads no farther than the back yard of primitive art, the child's scrawl on the fence, and the crank's message in the market place. Art is never simple.
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Art at its greatest is fantastically deceitful and complex.
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To play safe, I prefer to accept only one type of power: the power of art over trash, the triumph of magic over the brute.
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I could also distinguish the glint of a special puddle (the one Krug had somehow perceived through the layer of his own life), an oblong puddle invariably acquiring the same form after every shower because of the constant spatulate shape of a depression in the ground. Possibly something of the kind may be said to occur in regard to the imprint we leave in the intimate texture of space. Twang. A good night for nothing.
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I see again my schoolroom in Vyra, the blue roses of the wallpaper, the open window.… Everything is as it should be, nothing will ever change, nobody will ever die.
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Age indomitably, in the European manner. Do not finish your labours young. Be a planet, not a meteor. Honor the working day. Sit at your desk.
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If I correctly understand the sense of this succinct observation, our poet suggests here that human life is but a series of footnotes to a vast obscure unfinished masterpiece.
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By God, I could make myself bring her that economically halved grapefruit, that sugarless breakfast.
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But that mimosa grove-the haze of stars, the tingle, the flame, the honey-dew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since-until at last, twenty-four years later, I broke her spell by incarnating her in another.
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Memory overshadows the present and dims the future "into something thicker than its usual pea soup."
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My Lolita remarked: "You know, what's so dreadful about dying is that you are completely on your own"; and it struck me, as my automaton knees went up and down, that I simply did not know a thing about my darling's mind and that quite possibly, behind the awful juvenile cliches, there was in her a garden and a twilight, and a palace gate - dim and adorable regions which happened to be lucidly and absolutely forbidden to me, in my polluted rags and miserable convulsions.
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Don't cry, I'm sorry to have deceived you so much, but that's how life is.