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In this crazy mirror of terror and art a pseudo-quotation made up of obscure Shakespeareanisms (Chapter Three) somehow produces, despite its lack of literal meaning, the blurred diminutive image of the acrobatic performance that so gloriously supplies the bravura ending for the next chapter.
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It is a short walk from the hallelujah to the hoot.
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Those Eggheadsareterrible Philistines. A realgood head is not oval but round.
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All at once we were madly, clumsily, shamelessly, agonizingly in love with each other; hopelessly, I should add, because that frenzy of mutual possession might have been assuaged only by our actually imbibing and assimilating every particle of each other's soul and flesh; but there we were, unable even to mate as slum children would have so easily found an opportunity to do so.
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How small the cosmos (a kangaroo's pouch would hold it), how paltry and puny in comparison to human consciousness, to a single individual recollection, and its expression in words!
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The spiral is a spiritualized circle. In the spiral form, the circle, uncoiled, has ceased to be vicious; it has been set free.
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If he failed the first time he took his driver's licence test, it was mainly because he started an argument with the examiner in an ill-timed effort to prove that nothing could be more humiliating to a rational creature than being required to encourage the development of a base conditional reflex by stopping at a red light when there was not an earthly soul around, heeled or wheeled. He was more circumspect the next time, and passed.
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If possible, be Russian. And live in another country. Play chess. Be an active trader between languages. Carry precious metals from one to the other. Remind us of Stravinsky. Know the names of plants and flying creatures. Hunt gauzy wings with snares of gauze. Make science pay tribute. Have a butterfly known by your name.
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but that mimosa grove - the haze of stars, the tingle, the flame, the honey-dew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since." "this then is my story. i have reread it. it has bits of marrow sticking to it, and blood, and beautiful bright-green flies. at this or that twist of it i feel my slippery self eluding me, gliding into deeper and darker waters than i care to probe.
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Burn pedants in pale fire. Accept no fashions. Be your own fashion. Do not rely on earlier triumphs. Be new at each appearance.
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Down you go, but all the while you feel suspended and buoyed as you somersault in slow motion like a somnolent tumbler pigeon, and sprawl supine on the eiderdown of the air, or lazily turn to embrace your pillow, enjoying every last instant of soft, deep, death-padded life, with the earth's green see-saw now above, now below, and the voluptuous crucifixion, as you stretch yourself in the growing rush, in the nearing swish, and then your loved body's obliteration in the Lap of the Lord.
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My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
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Although I could never get used to the constant state of anxiety in which the guilty, the great, and the tenderhearted live, I felt I was doing my best in the way of mimicry.
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I knew I had fallen in love with Lolita forever; but I also knew she would not be forever Lolita.
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I don't want an elderly gentleman from Vienna with an umbrella inflicting his dreams upon me.
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It is hard, I submit, to loathe bloodshed, including war, more than I do, but it is still harder to exceed my loathing of the very nature of totalitarian states in which massacre is only an administrative detail.
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Was she really beautiful? Was she at least what they call attractive? She was exasperation, she was torture.
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Do those clowns really believe what they teach?
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I have rewritten — often several times — every word I have ever published. My pencils outlast their erasers.
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There is only one real number: one. And love, apparently, is the best exponent of this singularity.
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The future is but the obsolete in reverse.
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Here lies the sense of literary creation to portray ordinary objects as they will be reflected in kindly mirrors of future times. . . . To find in objects around us the fragrant tenderness that only posterity will discern . . .
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Perhaps if the year was 1447 instead of 1947 I might have hoodwinked my gentle nature by administering her some classical poison from a hollow agate, some tender philter of death. But in our middle-class nosy era it would not have come off the way it used to in the brocaded palaces of the past. Nowadays you have to be a scientist if you want to be a killer.
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What surprises you in life? The marvel of consciousness -- that sudden window swinging open on a sunlit landscape amidts the night of non-being.